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Celebrity Info

Vincent Perez

Actor Film

Characteristics

Adaptable Curious Communicative Witty Sociable Intellectual

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Country
Born
1964-06-10
Zodiac Sign

MiniBio

A remarkably handsome French actor, Perez swiftly captured leading roles in his home country during the 1980s and expanded his career internationally throughout the 1990s. Known for his sensuous, slightly pouty lips, intense gaze, and sharply defined features, he has become a major heartthrob among French audiences and fans of international art-house cinema. Over the course of his career, Perez has largely portrayed passionate, idealistic characters swept up in the sweeping romance of high-end dramas, many of which are set in historical periods. Impressively, he has managed to balance the dramatic flair these roles demand with a deeper introspective quality that brings richness and nuance to his performances.

Trivia

Vincent Perez has been part of several memorable films throughout his career, but one that truly stands out is Cyrano de Bergerac (1990). This film is widely regarded as Vincent Perez’s highest-rated work, showcasing his talent and on-screen presence. On the other hand, not all of his projects received the same level of acclaim—I Dreamed of Africa (2000), for instance, is considered Vincent Perez’s lowest-rated film. While opinions on movies can vary, these two titles represent the extremes in terms of reception for Vincent Perez’s filmography.

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Val Kilmer
Val Kilmer
Actor Movie Television

Born on December 31, 1959, in Los Angeles, Val Kilmer grew up under the care of his father, Eugene—a man who built and then lost a fortune developing a ranch once owned by Roy Rogers—and his mother, Gladys. As a teenager, Kilmer attended Chatsworth High School, where he shared classrooms with future stars like Mare Winningham and Kevin Spacey. He also studied at the Hollywood Professional School before making history as the youngest student ever admitted to the prestigious Juilliard School at the time. While at Juilliard, Kilmer didn’t just study—he helped write and perform an original play titled *How It All Began*, which eventually made its way to the New York Shakespeare Festival with Kilmer in the lead role. During this period, Val Kilmer began building a solid stage resume, appearing in productions such as *Henry IV, Part I* at the NYSF and *As You Like It* for the Tyrone Guthrie Theatre in Minneapolis. His early dedication paid off when he made his Broadway debut in *The Slab Boys* (1983), sharing the stage with Sean Penn and Kevin Bacon. Not long after, Val Kilmer transitioned to film, landing a starring role in *Top Secret!* (1984), a zany spy parody co-written by David Zucker, Jim Abrahams, and Jerry Zucker. Though it wasn’t an immediate box office smash, the movie later gained a cult following—something fans still talk about today. Around the same time, Kilmer took on a supporting role in the ABC Afterschool Special *One Too Many* (1985), a sobering drama warning teens about the dangers of drunk driving. That same year, he showed his comedic chops in *Real Genius*, playing a genius-level science student who teams up with a younger classmate (Gabe Jarret) to foil a rogue professor (William Atherton). It was clear that Val Kilmer had range—balancing humor, intellect, and intensity in ways few young actors could. Then came *Top Gun* (1986), one of the most iconic films of the decade. Starring opposite Tom Cruise, Val Kilmer played Lieutenant Tom "Iceman" Kazansky, the cool, confident F-14 pilot who rivals Pete "Maverick" Mitchell for top honors at the elite fighter school. While Cruise skyrocketed to superstardom, critics widely agreed that Kilmer’s performance was just as strong—if not more nuanced. Still, despite earning praise, Kilmer found himself struggling to maintain momentum in the years that followed, with rumors swirling about him being “difficult” on set. In 1987, he published a poetry collection titled *My Edens After Burns*, which included heartfelt reflections on his past relationship with Michelle Pfeiffer. Then came *Willow* (1988), Ron Howard’s big-budget fantasy film produced by George Lucas. Though the movie didn’t resonate strongly with audiences, Val Kilmer’s portrayal of the heroic warrior Madmartigan was praised for its charm and physicality. On set, he met actress Joanne Whalley, whom he married in February 1988. The couple later starred together in *Kill Me Again* (1989), a neo-noir thriller about a private eye (Kilmer) drawn into a dangerous scheme involving faked deaths and mob money. But it was *The Doors* (1991) that truly reestablished Val Kilmer as a powerhouse performer. Playing the enigmatic rock legend Jim Morrison, Kilmer delivered what many called the best performance of the year. To win the role, he recorded himself singing Doors songs—an audition tape that initially didn’t impress director Oliver Stone, but deeply impressed former Doors producer Paul Rothchild. Impressed by Kilmer’s uncanny vocal mimicry and intense preparation, Stone ultimately cast him. And it paid off: Kilmer’s immersive method approach—including insisting crew members call him “Jim” on set—brought a raw authenticity to the film. Stone later admitted that while Kilmer was passionate, his methods weren’t always easy to manage. Next, Val Kilmer earned acclaim for his role in Michael Apted’s *Thunderheart* (1992), playing a half-Sioux FBI agent grappling with identity while investigating a murder on a Native American reservation. Drawing from his own partial Cherokee heritage, Kilmer brought depth and quiet intensity to the character. Then, in *Tombstone* (1993), he stole the show as the charismatic, tubercular gunslinger Doc Holliday—a performance so magnetic it often overshadowed Kurt Russell’s Wyatt Earp. Fans still cite it as one of the greatest supporting roles in Western cinema. That same year, Kilmer popped up in *True Romance* (written by Quentin Tarantino), delivering a memorable cameo as an Elvis impersonator serenading a stranger with “Heartbreak Hotel.” He also headlined *The Real McCoy* (1993), a crime thriller co-starring Kim Basinger as a mother forced into one final heist. After a brief break from the spotlight, Val Kilmer returned as the new Batman in *Batman Forever* (1995), stepping into the cape after Michael Keaton’s departure. Facing off against Jim Carrey’s Joker and Tommy Lee Jones’ Two-Face, Kilmer brought a brooding intensity mixed with dry wit to the role. The film became a massive hit, grossing over $200 million worldwide and proving that Kilmer could carry a blockbuster. Always drawn to transformation, Val Kilmer took on *The Saint* (1997), playing master thief Simon Templar with multiple disguises and voices. Despite high hopes for a franchise, the film fizzled due to a convoluted plot. Still, Kilmer’s performance remained a highlight. In 1998, he lent his voice to Moses in DreamWorks’ animated debut, *The Prince of Egypt*, bringing gravitas to the biblical figure. The following year, he starred in *At First Sight* (1999), a sentimental romance where he played a blind man whose restored vision complicates his relationship with Mira Sorvino’s character. In 2000, Kilmer appeared briefly but memorably as artist Willem de Kooning in Ed Harris’s *Pollock*. Later that year, he headlined *Red Planet*, a sci-fi thriller set on Mars that failed to ignite audiences despite its commercial potential. But Kilmer bounced back with *The Salton Sea* (2002), a gritty noir in which he played a meth-addicted musician infiltrating the drug world to uncover his wife’s killer. Critics hailed it as a career resurgence. He continued gaining respect with *Wonderland* (2003), portraying real-life porn star John Holmes in a dark true-crime drama. Then came *Spartan* (2004), directed by David Mamet, where Kilmer played a rogue government agent searching for a kidnapped politician’s daughter (Kristen Bell). Once again, his understated yet powerful presence stood out. Also in 2004, Val Kilmer portrayed Moses—again—this time in a lavish, controversial stage musical adaptation of *The Ten Commandments*. Though panned by critics and quickly retooled, Kilmer’s commitment to the role was undeniable. That same year, he reunited with Oliver Stone for *Alexander*, playing King Philip II, father of Alexander the Great (Colin Farrell). Amidst the film’s grand scale and mixed reception, Kilmer’s commanding performance stood tall. After a small role in *Mindhunters* (2005), Val Kilmer delivered one of his most beloved performances in *Kiss Kiss, Bang Bang* (2005), Shane Black’s witty crime comedy. Playing a gay private detective paired with Robert Downey Jr.’s hapless crook, Kilmer showcased impeccable comedic timing and undeniable chemistry. Off-screen, the two reportedly got along famously, adding to the film’s enduring appeal. He took on smaller roles in projects like *10th and Wolf* (2006) and *Déjà Vu* (2006), where he played a government agent helping Denzel Washington unravel a time-bending mystery. Over the next several years, Val Kilmer worked steadily but stayed out of the mainstream spotlight, focusing on indie films and TV. He voiced KITT in the short-lived *Knight Rider* reboot (2008) and appeared in *Conspiracy* (2008), *Comanche Moon* (2008), and *Felon* (2008). In 2009, he co-starred with Nicolas Cage in Werner Herzog’s *Bad Lieutenant: Port of Call New Orleans*, adding depth to the ensemble cast. Later, he played the villainous Dieter von Cunth in the absurdly funny *MacGruber* (2010), based on the *Saturday Night Live* sketch. As the years passed, Val Kilmer continued working—appearing in *Tom Sawyer and Huckleberry Finn* (2015), *Paydirt* (2020), and the documentary *Val* (2021), which offered an intimate look at his life and struggles. Most notably, Val Kilmer made a poignant return in *Top Gun: Maverick* (2022), reprising his role as Iceman in a touching, emotional arc that resonated with fans worldwide. It was a fitting capstone to a complex, passionate career defined by transformation, intensity, and artistic fearlessness. Val Kilmer passed away on April 1, 2025, in Los Angeles, California, at the age of 65. Throughout his life, Val Kilmer remained a singular presence in Hollywood—one who never chased fame, but always pursued truth in performance.

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