They share the same opinion as you!

Download our App
Celebrity Info

Val Kilmer

Actor Movie Television

Interests

TV

Characteristics

Responsible Disciplined Ambitious Self-Controlled Good Manager Practical

OverView

Country
Born
1959-12-31
Zodiac Sign

MiniBio

Born on December 31, 1959, in Los Angeles, Val Kilmer grew up under the care of his father, Eugene—a man who built and then lost a fortune developing a ranch once owned by Roy Rogers—and his mother, Gladys. As a teenager, Kilmer attended Chatsworth High School, where he shared classrooms with future stars like Mare Winningham and Kevin Spacey. He also studied at the Hollywood Professional School before making history as the youngest student ever admitted to the prestigious Juilliard School at the time. While at Juilliard, Kilmer didn’t just study—he helped write and perform an original play titled How It All Began, which eventually made its way to the New York Shakespeare Festival with Kilmer in the lead role.

During this period, Val Kilmer began building a solid stage resume, appearing in productions such as Henry IV, Part I at the NYSF and As You Like It for the Tyrone Guthrie Theatre in Minneapolis. His early dedication paid off when he made his Broadway debut in The Slab Boys (1983), sharing the stage with Sean Penn and Kevin Bacon. Not long after, Val Kilmer transitioned to film, landing a starring role in Top Secret! (1984), a zany spy parody co-written by David Zucker, Jim Abrahams, and Jerry Zucker. Though it wasn’t an immediate box office smash, the movie later gained a cult following—something fans still talk about today.

Around the same time, Kilmer took on a supporting role in the ABC Afterschool Special One Too Many (1985), a sobering drama warning teens about the dangers of drunk driving. That same year, he showed his comedic chops in Real Genius, playing a genius-level science student who teams up with a younger classmate (Gabe Jarret) to foil a rogue professor (William Atherton). It was clear that Val Kilmer had range—balancing humor, intellect, and intensity in ways few young actors could.

Then came Top Gun (1986), one of the most iconic films of the decade. Starring opposite Tom Cruise, Val Kilmer played Lieutenant Tom “Iceman” Kazansky, the cool, confident F-14 pilot who rivals Pete “Maverick” Mitchell for top honors at the elite fighter school. While Cruise skyrocketed to superstardom, critics widely agreed that Kilmer’s performance was just as strong—if not more nuanced. Still, despite earning praise, Kilmer found himself struggling to maintain momentum in the years that followed, with rumors swirling about him being “difficult” on set.

In 1987, he published a poetry collection titled My Edens After Burns, which included heartfelt reflections on his past relationship with Michelle Pfeiffer. Then came Willow (1988), Ron Howard’s big-budget fantasy film produced by George Lucas. Though the movie didn’t resonate strongly with audiences, Val Kilmer’s portrayal of the heroic warrior Madmartigan was praised for its charm and physicality. On set, he met actress Joanne Whalley, whom he married in February 1988. The couple later starred together in Kill Me Again (1989), a neo-noir thriller about a private eye (Kilmer) drawn into a dangerous scheme involving faked deaths and mob money.

But it was The Doors (1991) that truly reestablished Val Kilmer as a powerhouse performer. Playing the enigmatic rock legend Jim Morrison, Kilmer delivered what many called the best performance of the year. To win the role, he recorded himself singing Doors songs—an audition tape that initially didn’t impress director Oliver Stone, but deeply impressed former Doors producer Paul Rothchild. Impressed by Kilmer’s uncanny vocal mimicry and intense preparation, Stone ultimately cast him. And it paid off: Kilmer’s immersive method approach—including insisting crew members call him “Jim” on set—brought a raw authenticity to the film. Stone later admitted that while Kilmer was passionate, his methods weren’t always easy to manage.

Next, Val Kilmer earned acclaim for his role in Michael Apted’s Thunderheart (1992), playing a half-Sioux FBI agent grappling with identity while investigating a murder on a Native American reservation. Drawing from his own partial Cherokee heritage, Kilmer brought depth and quiet intensity to the character. Then, in Tombstone (1993), he stole the show as the charismatic, tubercular gunslinger Doc Holliday—a performance so magnetic it often overshadowed Kurt Russell’s Wyatt Earp. Fans still cite it as one of the greatest supporting roles in Western cinema.

That same year, Kilmer popped up in True Romance (written by Quentin Tarantino), delivering a memorable cameo as an Elvis impersonator serenading a stranger with “Heartbreak Hotel.” He also headlined The Real McCoy (1993), a crime thriller co-starring Kim Basinger as a mother forced into one final heist. After a brief break from the spotlight, Val Kilmer returned as the new Batman in Batman Forever (1995), stepping into the cape after Michael Keaton’s departure. Facing off against Jim Carrey’s Joker and Tommy Lee Jones’ Two-Face, Kilmer brought a brooding intensity mixed with dry wit to the role. The film became a massive hit, grossing over $200 million worldwide and proving that Kilmer could carry a blockbuster.

Always drawn to transformation, Val Kilmer took on The Saint (1997), playing master thief Simon Templar with multiple disguises and voices. Despite high hopes for a franchise, the film fizzled due to a convoluted plot. Still, Kilmer’s performance remained a highlight. In 1998, he lent his voice to Moses in DreamWorks’ animated debut, The Prince of Egypt, bringing gravitas to the biblical figure. The following year, he starred in At First Sight (1999), a sentimental romance where he played a blind man whose restored vision complicates his relationship with Mira Sorvino’s character.

In 2000, Kilmer appeared briefly but memorably as artist Willem de Kooning in Ed Harris’s Pollock. Later that year, he headlined Red Planet, a sci-fi thriller set on Mars that failed to ignite audiences despite its commercial potential. But Kilmer bounced back with The Salton Sea (2002), a gritty noir in which he played a meth-addicted musician infiltrating the drug world to uncover his wife’s killer. Critics hailed it as a career resurgence.

He continued gaining respect with Wonderland (2003), portraying real-life porn star John Holmes in a dark true-crime drama. Then came Spartan (2004), directed by David Mamet, where Kilmer played a rogue government agent searching for a kidnapped politician’s daughter (Kristen Bell). Once again, his understated yet powerful presence stood out.

Also in 2004, Val Kilmer portrayed Moses—again—this time in a lavish, controversial stage musical adaptation of The Ten Commandments. Though panned by critics and quickly retooled, Kilmer’s commitment to the role was undeniable. That same year, he reunited with Oliver Stone for Alexander, playing King Philip II, father of Alexander the Great (Colin Farrell). Amidst the film’s grand scale and mixed reception, Kilmer’s commanding performance stood tall.

After a small role in Mindhunters (2005), Val Kilmer delivered one of his most beloved performances in Kiss Kiss, Bang Bang (2005), Shane Black’s witty crime comedy. Playing a gay private detective paired with Robert Downey Jr.’s hapless crook, Kilmer showcased impeccable comedic timing and undeniable chemistry. Off-screen, the two reportedly got along famously, adding to the film’s enduring appeal.

He took on smaller roles in projects like 10th and Wolf (2006) and Déjà Vu (2006), where he played a government agent helping Denzel Washington unravel a time-bending mystery. Over the next several years, Val Kilmer worked steadily but stayed out of the mainstream spotlight, focusing on indie films and TV. He voiced KITT in the short-lived Knight Rider reboot (2008) and appeared in Conspiracy (2008), Comanche Moon (2008), and Felon (2008).

In 2009, he co-starred with Nicolas Cage in Werner Herzog’s Bad Lieutenant: Port of Call New Orleans, adding depth to the ensemble cast. Later, he played the villainous Dieter von Cunth in the absurdly funny MacGruber (2010), based on the Saturday Night Live sketch. As the years passed, Val Kilmer continued working—appearing in Tom Sawyer and Huckleberry Finn (2015), Paydirt (2020), and the documentary Val (2021), which offered an intimate look at his life and struggles.

Most notably, Val Kilmer made a poignant return in Top Gun: Maverick (2022), reprising his role as Iceman in a touching, emotional arc that resonated with fans worldwide. It was a fitting capstone to a complex, passionate career defined by transformation, intensity, and artistic fearlessness.

Val Kilmer passed away on April 1, 2025, in Los Angeles, California, at the age of 65. Throughout his life, Val Kilmer remained a singular presence in Hollywood—one who never chased fame, but always pursued truth in performance.

Trivia

Well, when it comes to Val Kilmer’s filmography, there are definitely some highs and lows. If we’re talking about the peak of his career in terms of critical reception, Val Kilmer’s highest rated movie is Kill Me Again from 1989—a solid noir thriller that really showcased his range early on. On the flip side, not every project hit the mark, and unfortunately, Val Kilmer’s lowest rated film turned out to be Run for the Money, which came out in 2002. Over the years, fans and critics alike have pointed to these two as standout examples—Val Kilmer really brought his A-game in some roles, while others, like in this later film, just didn’t resonate as well. Still, Val Kilmer remains a compelling figure in Hollywood, with a career full of memorable performances despite a few missteps along the way.

Awards

Best performances of the year

Similar Celebrities

Van Johnson
Van Johnson
Actor

Van Johnson—yes, that freckled-faced, all-American boy-next-door—rose to stardom at MGM during the 1940s and 1950s after making his way from the Broadway chorus line to the bright lights of Hollywood. Van Johnson quickly became known for playing the kind-hearted leading man, the sort of genial guy who effortlessly won over audiences and on-screen sweethearts alike, often charming actresses like June Allyson and Esther Williams in light-hearted comedies and splashy musicals. It was this wholesome appeal that made Van Johnson a box office favorite, especially during wartime and in the years that followed, when audiences craved comfort and optimism. Of course, Van Johnson wasn’t just a smiling face—he also had depth. Every now and then, he got the chance to flex his dramatic muscles, delivering powerful performances in war films such as *Thirty Seconds over Tokyo* (1944) and *Battleground* (1949), where Van Johnson proved he could handle serious roles with sincerity and strength. Though his film career began to slow in the early 1960s, Van Johnson stayed active, transitioning smoothly into television and stage work, where he continued performing with dedication well into the early 1990s. What really set Van Johnson apart, though, was his enduring warmth—the way he carried himself with genuine concern, youthful energy, and a touch of theatrical flair. That combination, along with his consistent likability, cemented Van Johnson’s legacy as one of the most beloved figures of Hollywood’s Golden Age. Van Johnson may not have chased edgy or controversial roles, but he didn’t need to—his name became synonymous with sincerity, charm, and the golden glow of classic American cinema.

Ask Higo Singles Anything