Anita Gillette, a Strasberg-trained supporting actor, originally made her mark in musical theater before stepping into the spotlight through appearances on various panel shows. Over time, Anita Gillette transitioned smoothly into more recognizable character roles, especially in sitcoms and feature films. Anita Gillette is perhaps best remembered for her memorable performance as Mona, the mistress of Vincent Gardenia’s character in Norman Jewison’s acclaimed film “Moonstruck” (1987). She also left a lasting impression as the bold and outspoken mother of Mary-Louise Parker’s character in Herbert Ross’ “Boys on the Side” (1995). Throughout her career, Anita Gillette brought depth and authenticity to every role she took on, solidifying her place in American cinema.
When it comes to Anita Gillette’s film career, her standout performance can be seen in what many consider her highest rated movie — Moonstruck (1987), a romantic comedy that earned both critical acclaim and audience love. That role really put Anita Gillette on the map and remains one of her most memorable to date. On the other hand, not every project reached the same heights; for instance, Larger Than Life (1996) tends to be viewed as her lowest rated film overall. While Anita Gillette brought her usual charm to the role, the movie itself didn’t resonate as strongly with critics or viewers. Still, throughout her career, Anita Gillette has shown remarkable range, and even in less successful films, her presence adds a touch of authenticity. It’s clear that when people talk about Anita Gillette’s legacy in cinema, Moonstruck is often the first title that comes to mind.