Andrew Scott, the acclaimed Irish actor born in Dublin in 1976, first discovered his passion for performance as a child attending Saturday theater classes. Even in those early years, it was clear that Andrew Scott had a natural flair for the dramatic, and by his late teens, acting had become his central focus. Though he briefly studied drama at Trinity College, Andrew Scott made the bold decision to leave after just six months to pursue his craft more directly—joining Dublin’s prestigious Abbey Theatre. This move set the stage—literally—for what would become a diverse and compelling career.
Andrew Scott made his film debut in the indie title “Korea” (1995), followed by a small but notable role in Steven Spielberg’s war epic “Saving Private Ryan” (1998). Yet despite these early screen appearances, Andrew Scott remained deeply committed to theater during this phase of his life. He earned critical praise for his powerful portrayal in Eugene O’Neill’s “Long Day’s Journey into Night” at Dublin’s Gate Theatre, a performance that solidified his reputation as a rising star on the stage. In 2000, Andrew Scott made his London stage debut alongside Brian Cox in “Dublin Carol” at the Royal Court Theatre—a milestone that further elevated his profile. Not long after, he made his Broadway debut in 2003, sharing the stage with luminaries like Julianne Moore and Bill Nighy in David Hare’s “The Vertical Hour.”
While theater remained his artistic anchor, Andrew Scott began to expand his presence on television. In 2004, he took on a lead role in the BBC comedy series “My Life in Film,” a project that introduced him to a broader audience and revealed a surprising comedic talent. Though he continued to prioritize stage work over the next several years, it was his casting in 2010 as the chillingly charismatic Professor Moriarty on the hit BBC series “Sherlock” that truly catapulted Andrew Scott into international fame. His portrayal was both unsettling and mesmerizing, marking a defining moment in his career.
Yet Andrew Scott refused to be pigeonholed. Demonstrating remarkable range, he appeared in major films such as the James Bond installment “Spectre” (2015), proving his ability to thrive in blockbuster cinema. In 2017, Andrew Scott returned triumphantly to the stage with a celebrated performance as Hamlet, earning widespread acclaim for his nuanced and emotionally rich interpretation. Then, in 2019, Andrew Scott made a memorable return to television as the enigmatic and soulful priest in Phoebe Waller-Bridge’s beloved series “Fleabag” (BBC, 2016–), a role that resonated deeply with audiences and critics alike.
Throughout his journey, Andrew Scott has consistently defied expectations, moving fluidly between stage and screen, drama and comedy, villainy and vulnerability. With each new role, Andrew Scott reaffirms his status not just as a talented performer, but as one of the most versatile and captivating actors of his generation.
When it comes to Andrew Scott’s career highlights, fans and critics alike often point to Blue Moon (2025) as his highest-rated project so far. The film really showcased Andrew Scott’s range as a performer and earned widespread acclaim upon release. On the other end of the spectrum, Andrew Scott appeared in Victor Frankenstein (2015), which unfortunately didn’t resonate as well with audiences or reviewers—making it one of his lowest-rated works to date. While Andrew Scott has delivered powerful performances across various roles, these two titles stand out when evaluating his filmography. It’s interesting to see how Andrew Scott’s choices have evolved over the years, from the underwhelming reception of Victor Frankenstein to the much more celebrated Blue Moon. Still, even in less successful projects, Andrew Scott brings a compelling presence that keeps viewers engaged.