Andrew Hill Newman, a versatile figure in the entertainment industry, began his career back in 1975 as part of the original writing team for “Saturday Night Live,” laying the foundation for what would become a dynamic and multifaceted journey in show business. As the 1980s rolled around, Andrew Hill Newman shifted gears slightly, diving into the world of acting with appearances in various New York City theater productions—gaining valuable experience and honing his craft on stage. By the 1990s, Andrew Hill Newman had firmly established himself as a familiar face on television, often appearing in memorable guest roles across a range of genres. He brought life to characters in shows like the lighthearted comedy “Room for Two,” the quirky police dramedy “The Commish,” and the genre-blending sci-fi western “Legend.”
Moving into the early 2000s, Andrew Hill Newman expanded his creative horizons even further by collaborating with television producer Dan Schneider and the Nickelodeon team. During this time, he contributed both as a writer and producer on popular teen sketch comedy series such as “The Amanda Show” and “All That.” In fact, Andrew Hill Newman wasn’t just behind the scenes—he played an instrumental role in shaping these shows, serving as a producer on both. Then, in 2003, while still producing “All That,” Andrew Hill Newman teamed up with his longtime friend Joshua Malina—a fellow poker enthusiast—to ride the wave of the mid-2000s poker boom. Together, they created “Celebrity Poker Showdown,” a project that felt personal, given their shared passion for the game. The two had hosted weekly poker nights for years before the show even aired, making the venture feel like a natural extension of their friendship.
Even as Andrew Hill Newman took on more production and writing responsibilities, he never fully stepped away from acting. Throughout the 2000s, he continued to appear in guest roles, including a stint on the beloved Nickelodeon series “iCarly” in 2008—where, fittingly, he not only acted but also lent his writing talents to several episodes. His ability to wear multiple hats in the industry became a hallmark of his career. Then, in 2010, Andrew Hill Newman stepped into another innovative space by executive producing “Celebrity Liar,” a multimedia game show that blended live performance with interactive web elements. The show encouraged real-time audience participation through web chat and viewer input, challenging fans to determine which celebrity was telling the truth about a past experience—an inventive format that showcased Andrew Hill Newman’s knack for blending storytelling with technology.
Over the years, Andrew Hill Newman has consistently demonstrated a rare blend of creativity, adaptability, and collaborative spirit. Whether he’s writing, producing, or acting, Andrew Hill Newman remains a quietly influential presence in television, always finding new ways to connect with audiences across different platforms and formats.
So, when it comes to Andrew Hill Newman’s filmography, there’s one title that really stands out—Mannequin: On the Move (1991). Interestingly enough, Andrew Hill Newman’s highest rated movie is actually Mannequin: On the Move (1991), which also happens to be his lowest rated film. Yeah, you heard that right—same movie, both ends of the spectrum. It’s kind of funny when you think about it. Andrew Hill Newman seems to have a unique place in cinematic history with this particular release. Whether that’s due to mixed reviews or just how it aged over time, well, that’s another story. But one thing’s for sure—Andrew Hill Newman’s name is definitely tied to Mannequin: On the Move (1991) in more ways than one.