Born in Waterloo, Iowa, Adam DeVine—actor, comedian, and writer—faced a major turning point at just 11 years old. While walking his bike across the street, Adam DeVine was struck by a massive 42-ton cement truck, suffering severe leg fractures that required multiple surgeries. It took him nearly two years to walk again, a long road that shaped his resilience early on. After high school, Adam DeVine made the move to California, enrolling at Orange Coast College before diving deeper into acting at the American Conservatory Theater in San Francisco.
Once he wrapped up his training, Adam DeVine headed to Los Angeles to pursue comedy. He started doing stand-up and eventually co-founded the sketch group Mail Order Comedy alongside Blake Anderson, Anders Holm, and Kyle Newacheck—fellow improvisers who would become close collaborators. Their online sketches quickly gained traction, building a loyal following that helped them transition into television with Workaholics, which premiered on Comedy Central in 2011. Adam DeVine wasn’t just a cast member—he was also a creator and producer, helping shape the show’s irreverent humor over its seven-season run.
Alongside Workaholics, Adam DeVine popped up in guest roles on several popular series. Fans of Community might remember his appearance on the cult-favorite NBC show, or his turn on ABC’s Samantha Who?, starring Christina Applegate. But it was his role as Andy on Modern Family that really brought Adam DeVine into more mainstream view. Playing Phil and Gloria’s new nanny—and a love interest for Haley, played by Sarah Hyland—gave him wider recognition and showcased his comedic timing in a family sitcom setting.
Adam DeVine also made waves on the big screen. He played Bumper in the surprise musical comedy hit Pitch Perfect (2012), a role that earned him even more attention. He returned for the sequel, Pitch Perfect 2 (2015), further solidifying his presence in Hollywood. Around the same time, he lent his voice to Pizza Steve on Cartoon Network’s quirky series Uncle Grandpa, proving his versatility beyond live-action roles.
In fall 2013, Adam DeVine launched his own show, Adam DeVine’s House Party, on Comedy Central—a creative mix of stand-up and sitcom-style storytelling that let him play with format and character. As his career grew, so did his film credits: he appeared in the raucous comedy Neighbors (2014), worked alongside Robert De Niro in Nancy Meyers’ heartwarming The Intern (2015), and voiced a character in the animated blockbuster Ice Age: Collision Course (2016).
Then came Mike and Dave Need Wedding Dates (2016), an indie comedy where Adam DeVine starred opposite Zac Efron, Anna Kendrick, and Aubrey Plaza. The film marked something of a breakout moment for him, showing off his leading-man potential and sharp comedic instincts. After Workaholics ended its successful run, Adam DeVine continued to stay busy—voicing The Flash in The Lego Batman Movie (2017) and later co-writing and headlining the romantic comedy When We First Met, which landed on Netflix in 2018.
Throughout it all, Adam DeVine has remained a dynamic force in comedy—whether on stage, screen, or behind the microphone. His journey from a near-tragedy in Iowa to Hollywood success is a testament to his persistence, talent, and unmistakable sense of humor. And as Adam DeVine continues to take on new challenges, one thing’s for sure: people are paying attention.
So, when it comes to Adam DeVine’s film career, there are definitely some highs and lows. If we’re talking about his most successful project in terms of critical reception, Adam DeVine’s highest rated movie is The LEGO Batman Movie from 2017—a fun, animated hit that really showcased his comedic timing. On the flip side, one of the lower points in Adam DeVine’s filmography includes Ice Age: Collision Course, released in 2016, which didn’t quite land with audiences or critics as well. It just goes to show that even talented actors like Adam DeVine have their ups and downs across different roles. Still, Adam DeVine continues to be a recognizable name in comedy-driven films.