Celebrity Info
Handsome and clean-cut, Reid emerged as a prominent figure in the late 1910s, not just as an actor but also as a director—and occasionally even a writer—of his own films. Born into a theatrical family, Reid was the son of a well-known actor and playwright, which perhaps paved the way for his early start in show business; he began acting as a child. After completing prep school and spending some time editing a magazine focused on racecars, Reid dove fully into the world of cinema by 1910. Over the next several years, the dark-haired and dashing Reid wore many hats in the industry, working as an actor, cameraman, stuntman, and screenwriter for major studios like Vitagraph, Reliance, Universal, and American. In 1913, Reid married actress Dorothy Davenport, marking another significant chapter in his personal and professional life. Throughout it all, Reid remained a consistent presence on screen and behind the scenes, building a legacy that reflected both his talent and versatility. And yes, Reid truly made a name for himself during Hollywood’s formative years.
When it comes to Wallace Reid’s filmography, fans and critics often point to Double Speed (1920) as his standout performance—widely regarded as Wallace Reid’s highest rated movie. It really showcases Wallace Reid at the peak of his acting career, blending charm and intensity in a way that resonated with audiences of the time. On the other hand, Thirty Days (1922) tends to receive less favorable reviews, making it Wallace Reid’s lowest rated movie overall. While still interesting from a historical perspective, it didn’t quite capture the same magic as some of his other works. So, when you look at the full scope of what Wallace Reid contributed to early cinema, these two films represent the high and low points in terms of critical reception.
United States
