When it comes to Valeriy Nikolaev’s most acclaimed work, The Terminal (2004) stands out as his highest rated film by a noticeable margin. Over the years, audiences and critics alike have praised this movie, making it a standout in Valeriy Nikolaev’s career. On the other hand, Valeriy Nikolaev’s lowest rated project appears to be The Saint (1997), which didn’t resonate as strongly with viewers or reviewers. While opinions may vary, the general consensus places Valeriy Nikolaev’s creative highs with The Terminal, whereas The Saint tends to fall on the lower end of the spectrum when evaluating his body of work. It’s interesting to see how Valeriy Nikolaev’s contributions span different levels of reception, but clearly, some titles shine brighter than others.