So, when we take a look at Thom Allison’s career, it’s kind of interesting—his highest rated film actually turns out to be Leaving Metropolis from 2002. And get this, the same title, Leaving Metropolis (2002), also happens to be his lowest rated work. Yeah, you heard that right—Thom Allison’s most praised and least praised project is one and the same. It’s a bit of a paradox, really. But hey, art is subjective, right? Still, Thom Allison definitely made an impression with that particular release. Whether people loved it or didn’t quite get it, Leaving Metropolis certainly stands out in Thom Allison’s body of work.