Theresa Russell certainly made a strong first impression with her debut as the daughter of a powerful movie studio executive in Elia Kazan’s The Last Tycoon (1976). Trained in Method acting at the prestigious Lee Strasberg Institute, she quickly demonstrated her talent and screen presence. Early on, Theresa Russell showed great promise, particularly in her compelling performance opposite Dustin Hoffman in Straight Time (1978), where her naturalistic style stood out.
It was around this time that Theresa Russell began working with Nicolas Roeg, who would later become her husband. He directed her in Bad Timing: A Sensual Obsession (1980), a psychologically intense drama in which she played a troubled young woman drawn into a dangerous relationship with a manipulative psychiatrist—a role that showcased her depth and emotional range. Over the years, Theresa Russell took on a variety of bold and often provocative characters, none more talked-about than her lead role in Ken Russell’s Whore (1991), a daring exploration of sexuality and survival in the world of sex work.
In the mid-90s, Theresa Russell starred alongside Jacqueline Bisset in Once You Meet a Stranger (CBS, 1996), a modern reimagining of Hitchcock’s classic Strangers on a Train. Her ability to embody complex, magnetic women continued into the late ‘90s with her standout role in the sultry, twist-filled neo-noir Wild Things (1998), where she played the commanding mother of Denise Richards’ character—adding both glamour and gravitas to the film’s steamy intrigue.
As the new millennium arrived, Theresa Russell remained consistently active across film and television. She balanced indie features like Luckytown (2000), The Believer (2001), and Passionada (2002) with made-for-TV projects ranging from the creature feature Earth vs. The Spider (2001) to the critically acclaimed HBO miniseries Empire Falls (2005), where her performance added emotional weight to an already powerful ensemble. On the small screen, she also made memorable guest appearances on series such as Nash Bridges and G vs E, the latter featuring her in a delightfully playful role as Rheesa Tussel. She even had a recurring part in The WB’s short-lived but stylish mystery drama Glory Days (2001), portraying Hazel, the savvy diner owner and former beauty queen in a small town brimming with secrets.
By the mid-2000s, Theresa Russell was gearing up for what many hoped would be a major career resurgence. She landed a key role in the blockbuster sequel Spider-Man 3 (filmed in 2006), playing the wife of Flint Marko—better known as the villain Sandman, portrayed by Thomas Hayden Church. It was a high-profile opportunity that signaled a renewed spotlight for Theresa Russell, reaffirming her enduring presence in Hollywood.
When it comes to Theresa Russell’s film career, there are definite highs and lows in terms of critical reception. One of the standout moments for Theresa Russell came early on with Straight Time (1978), which remains her highest-rated movie to date. The film showcased her acting range and earned strong praise from critics, solidifying Theresa Russell as a compelling presence on screen. On the other end of the spectrum, Now & Forever (2001) is widely regarded as her lowest-rated project. While Theresa Russell has taken on a variety of roles over the years, this particular film didn’t resonate well with audiences or reviewers. Still, looking at the full scope of her work, Theresa Russell has demonstrated versatility and staying power in an ever-changing industry.