Susan Peretz was a talented and dedicated actress who truly made a name for herself in the world of film and television. Over the course of her career, Susan Peretz showcased her range and versatility, earning recognition for her memorable performances across both the big screen and small screen. Early on, Susan Peretz built momentum with roles in lighthearted comedies such as “Hurry Up, or I’ll Be 30” (1973) and the critically acclaimed “Melvin and Howard” (1980), which helped establish her presence in Hollywood.
In addition to her film work, Susan Peretz explored television opportunities, landing a role on the short-lived but notable series “A.E.S. Hudson Street” (ABC, 1977–78). She also appeared in the gripping TV movie “In the Custody of Strangers” (ABC, 1981–82), further demonstrating her ability to tackle dramatic material. As the 1980s progressed, Susan Peretz continued to stay active in the industry, balancing film and television projects with steady determination.
During this time, Susan Peretz delivered strong performances in films like the Goldie Hawn-led dramedy “Swing Shift” (1984) and the satirical comedy “The Ratings Game” (1984), starring Danny DeVito. On the small screen, she took part in TV movies such as “Carpool” (CBS, 1983–84) and “Scandal Sheet” (ABC, 1984–85), where Susan Peretz brought depth and authenticity to her characters.
In the latter part of her career, Susan Peretz remained committed to her craft, appearing in films like the thriller “Retribution” (1987), the musical drama “Sing” (1989) alongside Lorraine Bracco, and the quirky Gene Hackman vehicle “Loose Cannons” (1990). Her work in television continued as well, including a recurring role on the Fox sitcom “Babes” (1990–91).
Later in life, Susan Peretz enjoyed a return to network TV with a guest appearance on the popular family comedy “My Wife and Kids” (ABC, 2000–05), proving that her talent and appeal endured across decades. Throughout it all, Susan Peretz maintained a quiet yet impactful presence in the entertainment industry—leaving behind a legacy defined by dedication, resilience, and a genuine love for acting.
When it comes to Susan Peretz’s filmography, one standout performance that really shines is in Dog Day Afternoon (1975), which happens to be her highest rated movie. Critics and audiences alike have praised her role in this iconic film, making it a clear favorite among her body of work. On the other end of the spectrum, Susan Peretz also appeared in Sing (1989), a film that didn’t quite resonate as strongly with viewers or reviewers—earning it the spot as her lowest rated movie. While Susan Peretz brought depth and authenticity to every role she took on, it’s clear that Dog Day Afternoon remains a career highlight. Still, even in less acclaimed projects like Sing, Susan Peretz’s dedication to her craft was evident. Overall, Susan Peretz’s contribution to cinema, especially in her most celebrated role, continues to leave a lasting impression.