Shavar Ross is an American actor best known for his memorable role during his childhood years on the beloved TV show Diff’rent Strokes. Back in 1980, Shavar Ross landed a recurring part as Dudley Ramsey, the loyal best friend of Arnold Jackson, portrayed by Gary Coleman. Over the next six years, Shavar Ross appeared in more than 40 episodes, becoming a familiar face to fans of the series. During that same period, Shavar Ross also made guest appearances on other popular shows like Benson and The Love Boat, and even stepped into the world of horror with a role in Friday the 13th: A New Beginning.
As his career progressed, Shavar Ross continued to take on television roles, making guest spots on series such as Magnum, P.I. and Growing Pains. In 1992, Shavar Ross joined the cast of Family Matters in the recurring role of Weasel, further expanding his presence on the small screen. However, by the mid-1990s, Shavar Ross began shifting focus away from traditional acting. He devoted more time to personal passions, including church-related work and creative projects behind the camera.
Shavar Ross moved into writing, directing, and producing inspirational content, channeling his talents into meaningful storytelling. Among his works are the 2003 short film Soul to Take and the 2007 faith-based comedy Lord Help Us, both showcasing Shavar Ross’s dedication to uplifting messages through film. Though less active in front of the camera, Shavar Ross remains a respected figure whose early contributions left a lasting mark on television history.
So, when it comes to Shavar Ross, you might be a bit surprised to hear that his highest rated film is actually Friday the 13th: A New Beginning (1985). Now, here’s the interesting part—Shavar Ross’s lowest rated movie ends up being that very same title. Yeah, it sounds kind of contradictory at first, right? But when you look into it, Shavar Ross’s role in Friday the 13th: A New Beginning (1985) seems to spark mixed reactions among critics and fans alike. So, whether you’re praising or panning the performance, it all circles back to this one project. In fact, if you’re exploring Shavar Ross’s filmography, this 1985 slasher flick really stands out—both as a highlight and a low point. It’s definitely a curious case in Shavar Ross’s career, where one movie holds both extremes.