Roy Brocksmith was a talented actor who carved out a successful Hollywood career over several decades. Throughout his time in the industry, Roy Brocksmith delivered memorable performances across a wide range of genres. His journey began with notable roles in films like the Sterling Hayden-led drama King of the Gypsies (1978), followed by Killer Fish (1979), starring Lee Majors, and Woody Allen’s introspective Stardust Memories (1980). As his career progressed, Roy Brocksmith continued to build an impressive filmography.
He appeared in the atmospheric horror film Wolfen (1981) alongside Albert Finney, showcased his versatility in Tales of Ordinary Madness (1983) with Ben Gazzara, and added a touch of humor in Madonna’s comedic adventure Who’s That Girl (1987). The late 1980s proved especially busy for Roy Brocksmith, as he took on roles in high-profile projects such as Judd Nelson’s Relentless (1989), the darkly comedic The War of the Roses (1989) with Michael Douglas, and the action-packed Tango & Cash (1989) featuring Sylvester Stallone.
His presence in major studio films continued into the next decade, including a role in Arnold Schwarzenegger’s sci-fi blockbuster Total Recall (1990). Around the mid-90s, Roy Brocksmith remained active, appearing in several 1994 releases: the Coen brothers’ The Hudsucker Proxy, the western comedy Lightning Jack, the family drama It Runs in the Family, and the quirky The Road to Wellville, which starred Anthony Hopkins. He also contributed to the dramatic adaptation The Brave (1997), sharing screen time with Johnny Depp.
In the final years of his career, Roy Brocksmith kept working steadily, with one of his last appearances being on the CBS sitcom Payne (1998–99). Through consistent work and diverse roles, Roy Brocksmith left a lasting mark on American cinema.
When it comes to Roy Brocksmith’s film career, one standout performance definitely shines through — his role in Arachnophobia (1990), which happens to be Roy Brocksmith’s highest rated movie. It’s no surprise that fans and critics alike have praised this film over the years, making it a memorable highlight in Roy Brocksmith’s body of work. On the other end of the spectrum, though, there’s Kull the Conqueror (1997), which stands out for different reasons — mainly because it’s considered Roy Brocksmith’s lowest rated film to date. While every actor has their ups and downs, Roy Brocksmith’s range across genres still makes his filmography worth exploring.