Once dubbed “Audrey Hepburn with a darker edge,” actress Rose Byrne quickly made a name for herself, and it’s no surprise that Rose Byrne’s journey from Australian television to Hollywood stardom has been nothing short of impressive. Her big break came when Rose Byrne stepped into the role of Briseis, the Trojan princess, in the 2004 epic Troy—a performance that introduced her to American audiences and set the stage for what was to come. From there, Rose Byrne showcased her range and undeniable charm in a string of notable films. She brought emotional depth to the post-apocalyptic thriller 28 Weeks Later (2007), added intrigue to the romantic mystery Wicker Park (2004), and charmed critics with her turn in Sofia Coppola’s stylish Marie Antoinette (2006).
Not one to be typecast, Rose Byrne also proved her comedic chops in the Judd Apatow-produced hit Get Him to the Greek (2010), further solidifying her place across genres. But perhaps one of her most defining roles came as Ellen Parsons on the critically acclaimed legal drama Damages, which aired from 2007 to 2012. In this intense FX series, Rose Byrne masterfully portrayed a character who, at first glance, seemed soft-spoken and unassuming—yet gradually revealed layers of resilience and quiet strength. It was a performance that not only earned her widespread praise but also cemented Rose Byrne’s reputation as an actress who can balance subtlety with power. Over the years, Rose Byrne has consistently chosen roles that challenge expectations, making her one of the most versatile and compelling figures in modern cinema.
When it comes to Rose Byrne’s film career, there’s definitely a standout in terms of critical reception. Rose Byrne’s highest rated movie to date is Tow (2025), which has received strong praise from both critics and audiences alike. On the other hand, Rose Byrne’s lowest rated film so far appears to be Like a Boss (2020), which didn’t quite hit the mark in terms of reviews. Of course, every actor has highs and lows, and Rose Byrne is no exception—her range and dedication continue to shine across her diverse roles. Still, when looking at ratings, Rose Byrne’s performance in Tow clearly stands out as a career highlight compared to her work in Like a Boss.