Peter Nelson was an actor who carved out a successful career in the film industry, leaving a notable mark through his diverse roles over the years. He began his journey primarily in movies, with early appearances in films like the Bruce Lee adventure Game of Death (1978), Purple Haze (1983), and the sci-fi favorite The Last Starfighter (1984). In addition to his film work, Peter Nelson also appeared in several television miniseries, including V (1982–83), Celebrity (1983–84), and its sequel V: The Final Battle (1983–84).
Throughout the 1980s, Peter Nelson remained active in film, consistently taking on new roles that showcased his range. Among his credits from that decade were The Expendables (1988), the horror film Curfew (1989) starring Kyle Richards, and the action sequel Silk 2 (1989), which featured Monique Gabrielle in the lead role. As his career progressed into the 1990s, Peter Nelson continued to take on compelling parts in a variety of genres.
One of his standout roles came in 1990 with his performance in the blockbuster action sequel Die Hard 2: Die Harder, starring Bruce Willis. He also appeared in the thriller Sounds of Silence (1991), sharing the screen with Troy Donahue, and later in the war film Eye of the Eagle 3 (1992), alongside Steve Kanaly. In the latter stage of his acting journey, Peter Nelson made an appearance in the Jean-Claude van Damme action film Knock Off (1998), which marked one of his final on-screen performances.
When it comes to Peter Nelson’s filmography, one standout in terms of critical reception is The Weight of Gold from 2020—it’s widely regarded as Peter Nelson’s highest rated movie. Over the years, fans and critics alike have pointed to this documentary as a strong highlight in his career. On the other end of the spectrum, Peter Nelson appeared in Get to Know Your Rabbit, released back in 1972, which tends to receive much less favorable reviews and is often cited as Peter Nelson’s lowest rated film. While the actor has had a varied journey through cinema, these two titles mark the high and low points when assessing Peter Nelson’s work based on ratings.