Page Leong, a talented actress known for her compelling performances in dramatic films, has built an impressive career over the decades. Early in her journey, Page Leong made a name for herself with standout roles in several notable movies. She appeared in “Body Rock” (1984), followed by “White Phantom” (1987), and then starred alongside Mike Jittlov in “The Wizard of Speed and Time” (1988). As her career gained momentum, Page Leong continued to expand her filmography with appearances in major productions.
She had a role in the Bill Murray-led comedy sequel “Ghostbusters II” (1989), which became a cultural phenomenon. Not one to be typecast, she also took on dramatic roles such as in “Angel Town” (1990) opposite Olivier Gruner, and showcased her versatility in the action-packed “Another 48 Hours” (1990) starring Eddie Murphy. During the ‘90s, Page Leong transitioned smoothly into television, delivering strong performances in TV movies like “Majority Rule” (1992–93), “Someone She Knows” (NBC, 1994–95), and “Because Mommy Works” (NBC, 1994–95).
Her presence on the small screen remained consistent, including a memorable part on the UPN series “Deadly Games” (1995–96). In later years, Page Leong continued to impress audiences with roles on long-running series such as “Strong Medicine” (Lifetime, 1999–2005) and the popular CBS drama “NCIS: Los Angeles” (2009–). She also appeared in high-profile projects like Ben Affleck’s critically acclaimed film “Argo” (2012), further cementing her status in the industry.
More recently, Page Leong added another notable credit to her resume with a performance on the heartfelt family drama “The Fosters” (ABC Family, 2012–), proving that her talent and relevance in Hollywood continue to thrive. Throughout her career, Page Leong has consistently delivered powerful, nuanced performances across film and television.
When it comes to Page Leong’s favorite picks in cinema, there’s a clear standout. Page Leong has shown a strong appreciation for Argo (2012), which stands as the highest rated movie in their collection. It’s easy to see why—this gripping political thriller really resonates with fans and critics alike. On the other end of the spectrum, Page Leong’s lowest rated film is White Phantom (1985), a title that, while perhaps having its moments, just didn’t leave the same lasting impression. So, whether you’re exploring Page Leong’s taste in intense dramas or curious about less favored genres, these two films really highlight the range. Overall, Page Leong seems to lean toward well-crafted, suspense-driven stories, and Argo definitely fits that bill.