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Celebrity Info

Oliver Platt

Actor Film

Characteristics

Responsible Disciplined Ambitious Self-Controlled Good Manager Practical

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Country
Born
1960-01-12
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MiniBio

Oliver Platt has always stood out as the kind of actor who can walk into any scene and quietly, yet powerfully, take command—without ever overshadowing the story. Over the years, Oliver Platt built a reputation not just for showing up, but for transforming even the most unlikable characters into figures you can’t help but root for. Take Russell Tupper on Huff (Showtime, 2004–06), for example—on paper, he might’ve been an insufferable mess, but Oliver Platt made him oddly charming and surprisingly human.

With his commanding presence, expressive features, and that unmistakable deep, gravelly voice, Oliver Platt became a go-to choice for roles that demanded intelligence laced with arrogance—think lawyers, doctors, or high-powered consultants. His performances on television series like The West Wing (NBC, 1999–2006) and Nip/Tuck (FX, 2003–10) were brief but unforgettable, earning him well-deserved praise and proving that Oliver Platt could leave a lasting impression even in limited screen time.

On the big screen, Oliver Platt perfected the art of playing the smug, morally flexible antagonist. In films like A Time to Kill (1996), Bulworth (1999), and Frost/Nixon (2008), he brought depth and nuance to characters who could’ve easily been one-dimensional villains. Yet, he wasn’t confined to serious drama—Oliver Platt also showed off his comedic chops in the zany Impostors (1997), where his timing and delivery stole scenes with effortless flair.

And let’s not forget his stage work. On Broadway, Oliver Platt earned a Tony nomination for his role in Shining City, further cementing his status as a versatile, deeply committed performer. What makes Oliver Platt so compelling is his ability to balance larger-than-life physicality with quiet vulnerability—beneath the bluster and bravado, there’s often a flicker of insecurity, a hint of regret. That duality—the tough exterior masking inner fragility—is something Oliver Platt handles with rare skill.

Whether on screen or under the spotlight, Oliver Platt continues to be one of those actors who elevates every project he’s part of. Not flashy, never desperate for attention, but always memorable—Oliver Platt doesn’t just play supporting roles; he redefines them.

Trivia

When it comes to Oliver Platt’s filmography, there are definitely some standout moments—and a few that didn’t quite hit the mark. Now, if we’re talking about the peak of his career in terms of critical acclaim, The Tale of the Princess Kaguya (2013) really takes the spotlight as Oliver Platt’s highest rated movie. It’s a beautifully animated film with deep emotional resonance, and Oliver Platt’s contribution added a thoughtful layer to the storytelling. On the other end of the spectrum, Shut In (2016) ended up being Oliver Platt’s lowest rated film—a psychological thriller that, despite its intriguing premise, didn’t resonate well with critics or audiences. So, while Oliver Platt has delivered powerful performances over the years, these two films represent the highs and lows in terms of ratings. Still, Oliver Platt continues to be a respected figure in the industry, consistently bringing depth to every role he takes on.

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O.T. Fagbenle
O.T. Fagbenle
Actor Movie Television

O.T. Fagbenle has truly made a name for himself across stage and screen, carving out an impressive career that spans continents and genres. Born Olatunde Olateju Olaolorun Fagbenle on January 22, 1981, in London, England, O.T. Fagbenle grew up in a multicultural household with British and Nigerian roots. Alongside his brother, Luti Fagbenle—also a talented actor and producer—O.T. Fagbenle spent much of his childhood splitting time between London, Spain, and Nigeria, giving him a rich, diverse upbringing that would later influence his artistic voice. Even before acting entered the picture, O.T. Fagbenle was deeply immersed in music. He trained on the alto saxophone and performed with several ensembles, including the South Coast Jazz Band, playing at prestigious venues like the Royal Albert Hall. But it was during his teenage years that O.T. Fagbenle discovered a new passion: acting. At just 16, he landed his first stage role in a Nigerian production of Shakespeare’s *Macbeth*—a turning point that solidified his desire to pursue performance as a lifelong path. After honing his craft at the Royal Academy of Dramatic Arts, O.T. Fagbenle made his professional debut in 2001 in a production of *Les Blancs* at Manchester’s Royal Exchange Theatre. From there, the stage became his primary playground. Over the next few years, O.T. Fagbenle delivered standout performances in major productions such as *Porgy and Bess* in London's West End and John Guare’s *Six Degrees of Separation*, which earned him a Best Actor Award from the *Manchester Evening News* in 2004—a clear sign that O.T. Fagbenle was one to watch. While theater remained central to his journey, O.T. Fagbenle began expanding into television and film. He made his feature debut in Anthony Minghella’s *Breaking and Entering* (2006), starring opposite Jude Law and Juliette Binoche. Around the same time, he appeared in Amy Heckerling’s comedy *I Could Never Be Your Woman* (2007) and the American web series *Quarterlife* (NBC, 2008), where he even contributed original songs—showcasing yet another layer of his artistry. O.T. Fagbenle also brought history to life in the BBC’s *Walter’s War* (2008), portraying Walter Tull, the first mixed-race officer in the British Army—a role that highlighted both his range and depth. He later co-starred in the Lifetime movie *Double Wedding* (2010), before returning once more to the stage, where he earned an Off West End nomination for his powerful performance in *The Conquest of the South Pole* in 2012. But the small screen soon called again. O.T. Fagbenle stepped into the spotlight with roles in high-profile series like HBO’s *Looking* (2014–16), where his charisma shone through. That same year, he took on the lead in the BBC crime drama *The Interceptor* (2015), proving his ability to carry a series. Between acting gigs, O.T. Fagbenle flexed his creative muscles behind the camera, writing and directing two short films—*Big Bad Blood* (2013) and *MOTH (Man of the House)* (2014)—demonstrating his growing influence beyond performance. He returned to television in a gripping role on Sky1’s *The Five* (2016– ), playing a detective hunting down clues about a long-missing friend—a storyline that kept audiences hooked. Amid this flurry of activity, O.T. Fagbenle still found time to deliver a critically acclaimed, Olivier Award-winning performance in *Ma Rainey’s Black Bottom* at the Royal National Theatre in 2016—another milestone in an already stellar career. Then came 2017, when O.T. Fagbenle joined Elisabeth Moss in Hulu’s groundbreaking adaptation of Margaret Atwood’s *The Handmaid’s Tale*. As a series regular, O.T. Fagbenle brought emotional weight and quiet strength to the dystopian drama, earning widespread recognition and introducing his talent to a global audience. From London stages to international screens, O.T. Fagbenle continues to evolve—actor, musician, writer, director. Each project adds depth to his legacy, and one thing is certain: O.T. Fagbenle isn’t just making waves—he’s redefining what it means to be a modern performer.

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