Oakes Fegley started his journey in the entertainment world at such a young age that most children wouldn’t even begin to think about careers, let alone pursue one. Born in 2004 in Allentown, Pennsylvania, Oakes Fegley showed a remarkable passion for performing long before he reached elementary school. In fact, by the time he was in kindergarten, Oakes Fegley was already stepping into the spotlight—literally—taking on roles in local theater productions. One of his early standout performances was as Tiny Tim in a hometown rendition of “A Christmas Carol” at the Civic Theater, a role that truly marked the beginning of something special.
From there, Oakes Fegley didn’t slow down. He began formal training in acting and expanded his skills by studying hip hop dance and even learning the violin through the Suzuki method—talk about a well-rounded performer! As his talent grew, so did his stage presence, leading to more roles like appearing in “On Borrowed Time,” a production directed by the legendary Joel Grey. It wasn’t long before Oakes Fegley transitioned from stage to screen, first landing spots in training videos and commercials, which eventually opened doors to more serious, dramatic work.
His early film appearances included the short films “Glass” (2013) and “Children of the Moon” (2014), both of which helped build momentum. Then, at just ten years old, Oakes Fegley landed a role in the feature film “Fort Bliss” (2014), portraying the son of Michelle Monaghan’s character in this heartfelt military drama. That same year, audiences saw him again in the ensemble comedy “This is Where I Leave You” and in an episode of the acclaimed period series “Boardwalk Empire.”
Oakes Fegley continued gaining recognition with a three-episode arc on the popular CBS police procedural “Person of Interest” (2011–2016), further proving his range and dedication. But perhaps one of the biggest milestones in Oakes Fegley’s young career came when he was cast as the lead in the 2016 remake of the beloved children’s classic “Pete’s Dragon.” It was a role that not only showcased his growing talent but also solidified Oakes Fegley as a rising star to watch in Hollywood.
When it comes to Oakes Fegley’s filmography, fans and critics alike have taken notice of the highs and lows throughout his career. One standout in Oakes Fegley’s repertoire is Adam the First (2024), which has emerged as his highest-rated project to date. The film showcases Oakes Fegley’s evolving talent and deepening range as an actor, earning praise from audiences and reviewers. On the other end of the spectrum, Oakes Fegley appeared in The Goldfinch (2019), a movie that, despite its ambitious storytelling, received mixed to negative reviews and stands as his lowest-rated work so far. While Oakes Fegley continues to grow and take on diverse roles, these two films mark notable points in his journey—highlighting both his potential and the challenges that come with complex adaptations. Overall, Oakes Fegley remains a compelling presence in modern cinema, with each role adding depth to his artistic profile.