When it comes to Norma Crane’s career highlights, one film that really stands out is Tea and Sympathy from 1956—it’s widely regarded as Norma Crane’s highest-rated performance in film. Over the years, critics and audiences alike have praised her role in this classic, making it a defining moment in Norma Crane’s body of work. On the other hand, looking at the lower end of the spectrum, They Call Me Mister Tibbs! (1970) tends to receive less favorable reviews, often cited as Norma Crane’s lowest-rated project. While opinions may vary, the general consensus places these two films at opposite ends of the spectrum when evaluating Norma Crane’s filmography. It’s interesting how Norma Crane’s range spans such varied critical receptions across different eras of cinema.