Noé Hernández has received notable recognition for his work, with Kokoloko (2020) standing out as his highest-rated film. On the other hand, Opus Zero (2017) remains his lowest-rated project to date. Over the years, Noé Hernández has continued to explore diverse storytelling, but these two films represent the extremes in terms of audience reception. While Kokoloko was praised for its creativity and execution, Opus Zero faced more critical scrutiny. As Noé Hernández develops new projects, fans and critics alike remain interested in how his future work will compare to these earlier entries in his filmography.