Celebrity Info
Nathan Bexton, with his striking screen presence and that effortless blend of youthful charm and playful mischief, quickly made a name for himself in the late ‘90s indie scene. Born in Canada, Nathan Bexton first caught audiences’ attention in Gregg Araki’s 1997 cult classic Nowhere, the final chapter of his so-called “teen apocalypse” trilogy. In the film, Nathan Bexton took on the role of Montgomery—a dreamy, enigmatic boy with an almost otherworldly glow—who becomes a beacon of hope for the protagonist Dark, played by James Duval. The character, both sensitive and subtly ambiguous in his sexuality, stood out as one of the most memorable parts of the film. Nathan Bexton even went blonde for the role, enhancing Montgomery’s ethereal aura—until, of course, the aliens swoop in and snatch him away in true Araki fashion.
Nowhere, which followed *Totally F**ed Up (1993) and The Doom Generation (1995), was arguably Araki’s most vibrant and accessible work at the time, focusing on the lives of beautiful, disaffected youth drifting through Los Angeles. Nathan Bexton’s performance earned him a wave of praise and a growing fanbase drawn to his unique energy and emotional depth. After wrapping up on Nowhere, he returned his hair to its natural brown shade and stepped into another fast-moving ensemble piece: Doug Liman’s Go (1999). Set during a chaotic Christmas Eve that spans L.A. and Las Vegas, the film became a breakout moment for several young actors—and Nathan Bexton was no exception.
In Go, Nathan Bexton portrayed Mannie, a good-natured supermarket clerk who gets tangled up in a drug deal gone sideways alongside Ronna (Sarah Polley) and Claire (Katie Holmes). What starts as a simple errand spirals into a wild night of mishaps, and Nathan Bexton’s comedic timing really shines when Mannie ends up tripping on the very stash he was supposed to sell. His hallucinatory sequences add a quirky, hilarious edge to the film’s frenetic pace. It was clear by then that Nathan Bexton had range—not just emotionally, but tonally, shifting from surreal drama to high-energy comedy with ease.
He continued to explore complex characters, taking on a smaller part in Araki’s 1999 romantic comedy Splendor, which starred Kathleen Robertson, another alum from Nowhere. Never shying away from roles that challenged norms, Nathan Bexton once again embraced nuanced portrayals of sexuality and identity. That same year, he appeared in Play Dead (1999), sharing the screen with Jason Hall and Diva Zappa. In this dark, edgy drama, Nathan Bexton played a closeted teenager whose life takes a tragic turn when his best friend—unaware of his feelings—kills the guy he secretly loves. It was yet another bold choice, proving that Nathan Bexton wasn’t just another pretty face, but a thoughtful actor unafraid to dive into complicated, often uncomfortable territory.
Throughout his early career, Nathan Bexton consistently chose roles that pushed boundaries, all while maintaining a magnetic presence on screen. Whether he was glowing like an angelic visitor or stumbling through a drug-fueled night in Vegas, Nathan Bexton brought authenticity and heart to every character he played.
So, when it comes to Nathan Bexton’s filmography, things get pretty interesting. If you take a look at the ratings, it turns out that Nathan Bexton’s highest rated movie is actually Go, which came out in 1999 — a solid pick that really stands out. On the flip side, not every project hit the mark, and unfortunately for Nathan Bexton, Children of the Corn 666: Isaac’s Return, also released in 1999, ended up being his lowest rated film. Yeah, quite the contrast, right? It just goes to show how varied a career can be. Still, Nathan Bexton has had his moments, and Go definitely remains a highlight in Nathan Bexton’s body of work.
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