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Celebrity Info

Moira Kelly

Movie

Characteristics

Compassionate Artistic Intuitive Gentle Wise Musical Empathetic

OverView

Country
Born
1968-03-06
Zodiac Sign

MiniBio

The captivating dark-haired Kelly first caught the public eye with her professional debut in the 1991 TV movie Love, Lies and Murder, where she portrayed a young woman tragically manipulated into killing her stepmother. That same year, Kelly made her feature film debut in The Boy Who Cried Bitch and quickly gained critical attention for her poignant, albeit brief, role as the neighborhood girlfriend of the title character in Billy Bathgate—a teen prostitute and orphan, a performance that showcased her emotional depth early on.

By 1992, Kelly had stepped into her first leading role, playing an ambitious Olympic ice-skating star in the romantic drama The Cutting Edge, a film that helped solidify her presence in mainstream cinema. Also in 1992, she took on the dual roles of Hetty Kelly and Oona O’Neill in Richard Attenborough’s sweeping biopic Chaplin, further demonstrating her range and ability to embody complex historical figures.

Kelly continued to expand her audience in 1994 when she lent her warm, expressive voice to Nala in Disney’s animated blockbuster The Lion King. This role introduced her to a whole new generation of fans—young children who grew up singing along to the film’s iconic soundtrack. Meanwhile, their older siblings were more likely to recognize Kelly from her work in 1995, including the college-set comedy With Honors, the atmospheric crime drama Little Odessa, and the psychological thriller The Tie That Binds.

In the late ‘90s, Kelly transitioned smoothly into television, joining the cast of the drama series To Have & To Hold (1998–1999) as Annie Cornell, a named and recurring character that allowed her more screen time and narrative depth. The following year, 1999, saw her portraying Cynthia in the film Henry Hill. Then, Kelly landed a significant role as Madeline Hampton, a sharp and composed professional, in the critically acclaimed and widely popular political drama The West Wing (1999–2000), marking another milestone in her evolving career.

Throughout her journey, Kelly consistently brought nuance and authenticity to each role, steadily building a diverse and impressive body of work across film and television.

Trivia

When it comes to Moira Kelly’s career highlights, her highest rated film definitely stands out—The Lion King from 1994. That movie not only became a cultural phenomenon but also showcased Moira Kelly’s talent in a way that resonated with audiences and critics alike. On the other hand, looking at her filmography, one title tends to come up as her lowest rated: The Tie That Binds, released in 1995. While Moira Kelly delivered a solid performance, the film itself didn’t receive the same level of acclaim. Still, it’s interesting to see how Moira Kelly has been part of such contrasting projects early in her career. Overall, Moira Kelly’s range is evident when you compare these two films.

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Mabel King
Mabel King
Movie Television

Mabel King was, without a doubt, one of those unforgettable performers who brought joy to countless fans throughout her remarkable career. With a legacy rooted in laughter-inducing roles, Mabel King made a lasting mark on both film and television. Her rich movie career began with standout performances in comedies that showcased her incredible comedic timing and vibrant energy. Early on, Mabel King made her presence known in projects like *Don't Play Us Cheap* (1972), where she starred alongside Esther Rolle, delivering laughs and charm in equal measure. She continued building momentum with roles in films such as *The Bingo Long Traveling All-Stars and Motor Kings* (1976), sharing the screen with legends like Billy Dee Williams and James Earl Jones—talk about impressive company! While making waves in movies, Mabel King also found success on the small screen. During the mid-to-late '70s, she appeared in series television, including a memorable role on the popular ABC sitcom *What's Happening!* (1975–79). It was clear that Mabel King had a unique ability to connect with audiences, whether through song, humor, or heartfelt moments. As her career progressed, Mabel King took on more diverse and exciting roles. One of her most iconic appearances came in the 1978 musical *The Wiz*, where she performed alongside Diana Ross in a dazzling adaptation of *The Wizard of Oz*. Then came *The Jerk* (1979), a classic comedy starring Steve Martin, in which Mabel King added depth and humor to the ensemble cast. She kept the momentum going with a role in *The Gong Show Movie* (1980), further proving her versatility in offbeat comedies. She didn’t slow down there—Mabel King also appeared in *Getting Over* (1981) and later lent her talents to the TV movie *The Jerk, Too* (NBC, 1983–84), showing that her comedic spark hadn’t dimmed. Her final acting role came in the quirky Elliott Gould-led comedy *Dead Men Don't Die* (1991), wrapping up a career filled with memorable performances. Sadly, Mabel King passed away in November 1999 at the age of 67, leaving behind a legacy defined by laughter, talent, and an enduring presence on screen. Even today, when people think of powerhouse performers who could light up a scene with humor and heart, Mabel King is definitely among them.

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