Milton Davis Jr.’s most acclaimed work in movies, films, or music happens to be Angels in the Outfield (1994), which also, interestingly enough, holds the distinction of being his least appreciated piece based on ratings. While it might seem contradictory, both the highest and lowest marks in his career so far point to this same project. It’s a unique situation, where Angels in the Outfield (1994) stands out not just once, but in two very different ways. Milton Davis Jr.’s journey through film and music clearly shows a wide range of reception, yet this particular title remains central to discussions about his body of work.