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Celebrity Info

Miko Hughes

Actress Film

Characteristics

Compassionate Artistic Intuitive Gentle Wise Musical Empathetic

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Country
Born
1986-02-22
Zodiac Sign

MiniBio

Miko Hughes is an impressive young actor who started his journey in front of the camera at a very early age. Right from his first major film role, he proved to be a real scene stealer. In fact, his performance as the eerie, resurrected toddler in Pet Sematary (1989) was unforgettable and marked the beginning of what would become a standout career.

Of Native American heritage—specifically half-Chickasaw—Miko grew up in a family deeply connected to the entertainment world. His father, John Hughes, has spent more than two decades working as a special effects technician in the film industry. With such a background, it wasn’t long before Miko’s parents decided to submit him for modeling opportunities. Almost instantly, the adorable child landed roles in a public service announcement and several television commercials.

From there, his career quickly expanded. He took on a number of guest appearances, mostly in sitcoms, and even secured recurring roles on popular shows like ABC’s Full House and The WB’s The Parent ‘Hood. Following his strong debut on the big screen, Miko continued to shine. He practically stole the show in Kindergarten Cop (1990), sharing the spotlight with none other than Arnold Schwarzenegger.

As his reputation grew, so did the caliber of his roles. He played Danny DeVito’s son in Jack the Bear (1993) and was cast as Chevy Chase’s kid in Cops and Robbersons (1994). That same year, Miko appeared in Wes Craven’s New Nightmare, a clever and self-aware continuation of the Nightmare on Elm Street franchise, where he portrayed the onscreen son of Heather Langenkamp.

He also shared the screen with actress Kathleen Quinlan on two separate occasions—first in Apollo 13 (1995), where he played her son, and later in Zeus and Roxanne (1997). Arguably, one of his most significant performances came in Mercury Rising (1998), where he portrayed an autistic boy who accidentally cracks a dangerous government code, putting his life at risk. It was the biggest role of his career up to that point and showcased his impressive range as an actor.

Trivia

When it comes to Miko Hughes, his highest rated movie appears to be Hollywood Dreams & Nightmares: The Robert Englund Story from 2022, which really stands out in Miko Hughes’s filmography. On the other hand, Miko Hughes’s lowest rated film is Spawn, released way back in 1997. It’s interesting to see how Miko Hughes has been part of such varied projects over the years, with some resonating more with audiences than others. Still, Miko Hughes remains a notable figure in certain cinematic circles, especially when you look at the contrast between these two films in terms of reception.

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Mabel King
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Mabel King was, without a doubt, one of those unforgettable performers who brought joy to countless fans throughout her remarkable career. With a legacy rooted in laughter-inducing roles, Mabel King made a lasting mark on both film and television. Her rich movie career began with standout performances in comedies that showcased her incredible comedic timing and vibrant energy. Early on, Mabel King made her presence known in projects like *Don't Play Us Cheap* (1972), where she starred alongside Esther Rolle, delivering laughs and charm in equal measure. She continued building momentum with roles in films such as *The Bingo Long Traveling All-Stars and Motor Kings* (1976), sharing the screen with legends like Billy Dee Williams and James Earl Jones—talk about impressive company! While making waves in movies, Mabel King also found success on the small screen. During the mid-to-late '70s, she appeared in series television, including a memorable role on the popular ABC sitcom *What's Happening!* (1975–79). It was clear that Mabel King had a unique ability to connect with audiences, whether through song, humor, or heartfelt moments. As her career progressed, Mabel King took on more diverse and exciting roles. One of her most iconic appearances came in the 1978 musical *The Wiz*, where she performed alongside Diana Ross in a dazzling adaptation of *The Wizard of Oz*. Then came *The Jerk* (1979), a classic comedy starring Steve Martin, in which Mabel King added depth and humor to the ensemble cast. She kept the momentum going with a role in *The Gong Show Movie* (1980), further proving her versatility in offbeat comedies. She didn’t slow down there—Mabel King also appeared in *Getting Over* (1981) and later lent her talents to the TV movie *The Jerk, Too* (NBC, 1983–84), showing that her comedic spark hadn’t dimmed. Her final acting role came in the quirky Elliott Gould-led comedy *Dead Men Don't Die* (1991), wrapping up a career filled with memorable performances. Sadly, Mabel King passed away in November 1999 at the age of 67, leaving behind a legacy defined by laughter, talent, and an enduring presence on screen. Even today, when people think of powerhouse performers who could light up a scene with humor and heart, Mabel King is definitely among them.

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