Mel Smith was a well-known British comic actor, writer, and director who made a lasting mark on both television and film. Early in his career, Mel Smith established himself as a dynamic and versatile stage director, but it wasn’t long before he stepped into the spotlight as a performer. His big break came with the groundbreaking comedy series Not the Nine O’Clock News, which aired on the BBC from 1979 to 1982. Alongside Griff Rhys Jones and Rowan Atkinson, Mel Smith brought sharp wit and fearless satire to audiences, helping shape a show that, much like the early days of Saturday Night Live, ranged from outrageously irreverent to genuinely brilliant.
It was clear that Mel Smith had a unique comedic voice, and his partnership with Jones only grew stronger over time. Together, they co-wrote and starred in the hugely successful sketch-comedy show Alas Smith and Jones, which ran on the BBC from 1984 to 1998 and became a staple of British humor. Mel Smith wasn’t just a performer—he also took on creative roles behind the scenes, adapting material for the stage and directing productions such as Not in Front of the Audience, based on their earlier hit series.
Throughout his career, Mel Smith remained a pivotal figure in British comedy, influencing countless comedians who followed. His work across stage, television, and film showcased his range and enduring talent. Sadly, Mel Smith passed away in 2013, leaving behind a rich legacy that continues to resonate with fans and fellow performers alike.
When it comes to Mel Smith’s career in film, there are definitely some standout moments—and a few that didn’t quite hit the mark. Mel Smith’s most acclaimed work by far is Babylon from 1980, which consistently receives high praise and stands out as his highest-rated movie. Critics and audiences alike have recognized the depth and authenticity Mel Smith brought to the project, making it a defining point in his filmography. On the other end of the spectrum, Mel Smith’s High Heels and Low Lifes (2001) tends to receive much less favorable reviews, landing it as his lowest rated film to date. While Mel Smith has had a varied and dynamic career, these two films really highlight the range of his success—both at its peak and its more challenging points.