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Celebrity Info

Mary Wickes

Actress Film

Characteristics

Adaptable Curious Communicative Witty Sociable Intellectual

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Country
Born
1910-06-13
Zodiac Sign

MiniBio

A tall and lanky character actress, Monica Wickes carved out a unique niche in the world of comedy with her unforgettable portrayals of housekeepers, nurses, and nuns. Known for her awkward frame, delightfully angular features, and that distinctive recessed chin, Wickes brought a certain charm and wit to every role she played. She wisecracked, meddled, and nosed her way through nearly 20 Broadway plays, hundreds of stock productions, ten television series, countless guest appearances on the small screen, and almost 50 feature films.

Monica Wickes began her acting journey on stage in the early 1930s and was fortunate enough to be involved in five plays either written or directed by the legendary George S. Kaufman. However, it wasn’t until she took on the role of Miss Preen in Kaufman and Hart’s hit play The Man Who Came to Dinner (1939–40) that she truly found her breakthrough. As the endlessly harassed nurse to the sharp-tongued Sheridan Whiteside, played by Monty Woolley, Wickes showcased her comedic brilliance and quickly became a household name.

Following her stage success, Monica Wickes reprised the role in the 1941 film adaptation, bringing her iconic character to the big screen. She also starred in a radio production featuring Fred Allen and later appeared in a 1972 TV version alongside the legendary Orson Welles. Throughout her career, Wickes proved time and again that her unique presence and comedic timing made her an indispensable figure in American entertainment.

Trivia

When it comes to Mary Wickes’s filmography, one standout performance that consistently receives high praise is her role in The Music Man (1962), which many consider her highest-rated movie. Fans and critics alike often point to this classic musical as a highlight in Mary Wickes’s career, showcasing her impeccable timing and charm. On the other end of the spectrum, Mary Wickes also appeared in Sister Act 2: Back in the Habit (1993), a film that, while popular with some audiences, ended up being her lowest-rated project according to various reviews. Still, even in less acclaimed works, Mary Wickes brought her signature wit and presence. Overall, Mary Wickes’s contributions across decades of cinema remain memorable, with The Music Man standing tall as her most celebrated role.

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Mabel King
Mabel King
Movie Television

Mabel King was, without a doubt, one of those unforgettable performers who brought joy to countless fans throughout her remarkable career. With a legacy rooted in laughter-inducing roles, Mabel King made a lasting mark on both film and television. Her rich movie career began with standout performances in comedies that showcased her incredible comedic timing and vibrant energy. Early on, Mabel King made her presence known in projects like *Don't Play Us Cheap* (1972), where she starred alongside Esther Rolle, delivering laughs and charm in equal measure. She continued building momentum with roles in films such as *The Bingo Long Traveling All-Stars and Motor Kings* (1976), sharing the screen with legends like Billy Dee Williams and James Earl Jones—talk about impressive company! While making waves in movies, Mabel King also found success on the small screen. During the mid-to-late '70s, she appeared in series television, including a memorable role on the popular ABC sitcom *What's Happening!* (1975–79). It was clear that Mabel King had a unique ability to connect with audiences, whether through song, humor, or heartfelt moments. As her career progressed, Mabel King took on more diverse and exciting roles. One of her most iconic appearances came in the 1978 musical *The Wiz*, where she performed alongside Diana Ross in a dazzling adaptation of *The Wizard of Oz*. Then came *The Jerk* (1979), a classic comedy starring Steve Martin, in which Mabel King added depth and humor to the ensemble cast. She kept the momentum going with a role in *The Gong Show Movie* (1980), further proving her versatility in offbeat comedies. She didn’t slow down there—Mabel King also appeared in *Getting Over* (1981) and later lent her talents to the TV movie *The Jerk, Too* (NBC, 1983–84), showing that her comedic spark hadn’t dimmed. Her final acting role came in the quirky Elliott Gould-led comedy *Dead Men Don't Die* (1991), wrapping up a career filled with memorable performances. Sadly, Mabel King passed away in November 1999 at the age of 67, leaving behind a legacy defined by laughter, talent, and an enduring presence on screen. Even today, when people think of powerhouse performers who could light up a scene with humor and heart, Mabel King is definitely among them.

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