Celebrity Info
Mary Gregory was a celebrated big screen film actress, best known for her compelling and powerful performances throughout her career. Mary Gregory began making her mark in the entertainment industry by landing key roles in several notable films. Among her early works was the 1957 western “Trooper Hook,” which helped set the stage for a dynamic acting journey. She went on to appear in “Angel in My Pocket” (1968), sharing the screen with Andy Griffith in this heartfelt story. One of her standout roles came in the emotionally intense “They Shoot Horses, Don’t They?” (1969), starring alongside Jane Fonda in a dramatic adaptation that left a lasting impression.
As her career progressed, Mary Gregory showcased her versatility by stepping into comedy with Woody Allen’s “Sleeper” (1973), proving she could master both drama and humor. Later, she reunited with Jane Fonda in the acclaimed war-era drama “Coming Home” (1978), further solidifying her reputation as a talented and adaptable performer. Mary Gregory also made significant contributions behind the scenes—she even created music for the Gene Wilder-led comedy “Stir Crazy” (1980), highlighting her diverse artistic range.
Her work wasn’t limited to the silver screen. In fact, Mary Gregory started exploring television early on, with a memorable appearance on the iconic series “The Twilight Zone” (CBS, 1959–1964). Over the years, she maintained a strong presence on TV, including a role on the PBS series “The Righteous Apples” (1980–82). During the 1980s and 1990s, Mary Gregory continued working steadily, balancing film and television projects. She appeared in the comedic adventure “Troop Beverly Hills” (1989) with Shelley Long and the youth-centered drama “Listen to Me” (1989) featuring Kirk Cameron.
On the small screen, Mary Gregory contributed to the long-running NBC drama “Sisters” (1990–1996), where her performance added depth to the show’s evolving narrative. She also participated in the CBS television special “Women of the 21st Century” (1989–1990), reflecting on societal changes and women’s roles through the decades. As time went on, Mary Gregory remained active in the industry, with one of her most recent appearances on “The Sarah Silverman Program” (Comedy Central, 2006–2010), bringing her seasoned talent to a new generation of viewers. Throughout it all, Mary Gregory carved out a respected legacy in both film and television.
Well, when it comes to Mary Gregory’s filmography, things get a bit interesting—her highest rated movie actually happens to be Sleeper (1973), which might come as a surprise to some. And oddly enough, if you look at the other end of the spectrum, her lowest rated work is also listed as Sleeper (1973). Yeah, that’s right—Mary Gregory has both the top and bottom spot claimed by the same title. It’s definitely a curious case, especially considering how people interpret ratings differently over time. Mary Gregory clearly has a complex relationship with this particular film, wouldn’t you say? Still, Sleeper (1973) remains a significant part of Mary Gregory’s legacy, for better or worse.
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