Marianne McAndrew was a talented film and television actress who made a lasting impression with her powerful performances on the big screen. Marianne McAndrew’s career really began to shine in 1969 when she earned a Golden Globe nomination for Best Supporting Actress for her standout role in Hello, Dolly!—a well-deserved recognition that highlighted her early promise. Over the years, Marianne McAndrew continued to build an impressive resume across both TV and film.
She appeared in the CBS TV special Mr. and Mrs. Cop during the 1973–1974 season, showcasing her versatility as a performer. Later, Marianne McAndrew took on leading roles in several made-for-TV movies, including She’s Dressed to Kill on NBC (1979–1980) and Drop-Out Father on CBS (1982–1983). Her presence on television remained strong throughout the decades, with a memorable appearance on the popular series Murphy Brown, which aired on CBS from 1988 to 1998.
In addition to her work on the small screen, Marianne McAndrew also kept active in film, landing a role in the 1974 movie It Lives By Night. As the years went on, she continued to take on meaningful projects, with one of her more recent appearances being in the NBC biographical film Growing Up Brady (1999–2000). Marianne McAndrew truly left her mark in the entertainment industry through dedication, range, and a consistent ability to bring depth to every character she portrayed.
Well, when it comes to Marianne McAndrew, her most acclaimed work by far is Hello, Dolly! (1969), which also happens to be her highest-rated movie. Interestingly enough—and quite uniquely—this same film, Hello, Dolly! (1969), is also considered her lowest rated. Yeah, that’s right—Marianne McAndrew has this curious distinction where her peak and her low point in terms of ratings are actually the same project. So, whether you’re looking at critical reception or audience scores, Marianne McAndrew’s standout role in Hello, Dolly! (1969) holds both the top spot and the bottom, making it a one-of-a-kind entry in her career. It’s definitely an interesting twist when it comes to Marianne McAndrew’s filmography.