She’s perhaps best known for her captivating performance as Fabienne in Quentin Tarantino’s 1994 classic Pulp Fiction—a role that truly put her on the map. Over the years, she continued to impress audiences with standout roles in films like My Life Without Me (2003) and 1871 (1990), further solidifying her reputation as a versatile and compelling actress. But her talents don’t stop at acting. As a singer, she’s also made her mark, releasing music that reflects her depth and artistry, including the albums A Little More Blue (2007) and Peninsulas & Continentes (2010).
Before all the fame and recognition, she honed her craft at the prestigious French National Academy of Dramatic Arts (CNSAD), laying the foundation for a remarkable career. Her screen debut came in 1981 with the film Silvestre, marking the beginning of a journey that would span continents and genres. Born into a creative family, she is the daughter of renowned pianist and composer Antonio Victorino de Almeida, and she spent her formative years being raised in Lisbon, Portugal—a city that undoubtedly shaped her early artistic sensibilities.
Later in life, she married Agusti Camps, and together they lived in various countries, including France, Spain, and Brazil, embracing diverse cultures and experiences along the way. Through each chapter, she has remained a powerful presence in both film and music, continually evolving while staying true to her roots. Her story—from training at CNSAD to starring in iconic films and exploring her voice as a musician—is one of passion, resilience, and enduring talent.
She took the helm as director for the historical film April Captains in 2000, bringing her unique vision to the project. Her work on April Captains showcased a deep understanding of historical narratives, and she really poured her energy into making the film impactful. It was clear that she had a strong connection to the material, and her direction in April Captains left a lasting impression on audiences and critics alike.