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Celebrity Info

Margaret Tyzack

Actress Film Television

Interests

TV

Characteristics

Practical Analytical Hardworking Loyal Kind Detail-Oriented Diligent

OverView

Country
Born
1931-09-09
Zodiac Sign

MiniBio

Margaret Tyzack truly embodies the essence of a classically trained British thespian. Her ability to carry herself with undeniable regality has made her a go-to actress for roles of queens and formidable matriarchs—more so, it seems, than many of her stage contemporaries. While she officially became part of the Royal Shakespeare Company in 1962, her presence on television began earlier, gracing a variety of sophisticated mini-series throughout the 1950s.

Over the years, Margaret Tyzack has remained a consistent and commanding figure in British television, particularly within the realm of playhouse programs and anthology series rooted in classical storytelling. One of her standout performances came in the form of the vengeful Bette in the “Masterpiece Theater” adaptation of Cousin Bette, a role that earned her an Emmy nomination. Although that recognition was notable, it hardly compares to the wealth of acclaim she has received on the stage.

Following her memorable portrayal of the powerful mother of an emperor in the iconic BBC mini-series I, Claudius—a production still hailed as one of the network’s greatest successes—Tyzack made the occasional foray into American television. She appeared in The Young Indiana Jones Chronicles, a series that leaned more toward education than action, playing the character of Jones’ composed and proper tutor. This role, along with her small but memorable appearances in Stanley Kubrick’s A Clockwork Orange and the visionary 2001: A Space Odyssey, has helped cement her recognition among American audiences.

Even as she advanced into the sixth decade of her career, Margaret Tyzack has remained active, making guest appearances on popular British series such as Midsomer Murders, a charming and picturesque procedural that continues to captivate viewers.

Trivia

When it comes to Margaret Tyzack’s filmography, one standout performance that consistently earns high praise is her role in 2001: A Space Odyssey (1968), which remains her highest-rated movie to date. Fans and critics alike often highlight this iconic film as a defining moment in her career. On the other hand, among her body of work, The Legacy (1979) tends to receive more mixed or lower reviews, making it Margaret Tyzack’s least acclaimed project. While opinions may vary, it’s clear that Margaret Tyzack delivered memorable performances across different genres, with 2001: A Space Odyssey shining as her most celebrated contribution to cinema. Margaret Tyzack truly left a mark on the industry through roles like these.

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Movie Television

Mabel King was, without a doubt, one of those unforgettable performers who brought joy to countless fans throughout her remarkable career. With a legacy rooted in laughter-inducing roles, Mabel King made a lasting mark on both film and television. Her rich movie career began with standout performances in comedies that showcased her incredible comedic timing and vibrant energy. Early on, Mabel King made her presence known in projects like *Don't Play Us Cheap* (1972), where she starred alongside Esther Rolle, delivering laughs and charm in equal measure. She continued building momentum with roles in films such as *The Bingo Long Traveling All-Stars and Motor Kings* (1976), sharing the screen with legends like Billy Dee Williams and James Earl Jones—talk about impressive company! While making waves in movies, Mabel King also found success on the small screen. During the mid-to-late '70s, she appeared in series television, including a memorable role on the popular ABC sitcom *What's Happening!* (1975–79). It was clear that Mabel King had a unique ability to connect with audiences, whether through song, humor, or heartfelt moments. As her career progressed, Mabel King took on more diverse and exciting roles. One of her most iconic appearances came in the 1978 musical *The Wiz*, where she performed alongside Diana Ross in a dazzling adaptation of *The Wizard of Oz*. Then came *The Jerk* (1979), a classic comedy starring Steve Martin, in which Mabel King added depth and humor to the ensemble cast. She kept the momentum going with a role in *The Gong Show Movie* (1980), further proving her versatility in offbeat comedies. She didn’t slow down there—Mabel King also appeared in *Getting Over* (1981) and later lent her talents to the TV movie *The Jerk, Too* (NBC, 1983–84), showing that her comedic spark hadn’t dimmed. Her final acting role came in the quirky Elliott Gould-led comedy *Dead Men Don't Die* (1991), wrapping up a career filled with memorable performances. Sadly, Mabel King passed away in November 1999 at the age of 67, leaving behind a legacy defined by laughter, talent, and an enduring presence on screen. Even today, when people think of powerhouse performers who could light up a scene with humor and heart, Mabel King is definitely among them.

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