He was a blind jazz artist who made a name for himself as a skilled stride pianist, carving out a unique space in the world of classic jazz. Known for his deep connection to pre-1950 jazz traditions, he brought a timeless energy to his performances, especially through his signature walking basslines that showcased both technique and soul. Before rising to fame, he attended the Florida School for the Deaf and the Blind—a place with a rich musical legacy, notably also attended by the legendary Ray Charles. Growing up, his early exposure to music came from heartfelt gospel tunes sung by his mother and the vibrant sounds of the local church, both of which played a major role in shaping his artistic voice. His journey reflects not just talent, but a profound connection to the roots of American music. He truly embodied the spirit of jazz, staying true to its origins while making his own mark.
He really made a name for himself through his long-standing collaboration with trumpeter Wynton Marsalis, who actually gave him his first big break in the industry. Over the years, he continued to work closely with Marsalis, and that partnership played a huge role in shaping his career. He often credits Marsalis not just as a mentor but as the key figure who opened the door for him. Throughout it all, he remained deeply connected to that early opportunity, recognizing how pivotal it was. He’s spoken about it many times—how that moment with Marsalis set everything in motion.