For nearly a decade, Marc Webb was a go-to name in the music video world, crafting visually striking content that made him one of the most sought-after directors in the industry. But everything shifted when Marc Webb stepped into the world of feature films with “(500) Days of Summer” in 2009. This charmingly bittersweet romance wasn’t just a hit with audiences—it captured the hearts of critics too, earning widespread acclaim and marking Marc Webb as a filmmaker to watch.
Thanks to the success of his debut, Marc Webb quickly found himself welcomed into Hollywood’s upper echelon. By 2010, he had been entrusted with one of the biggest franchises in cinema: “Spider-Man.” It was a clear sign that Marc Webb wasn’t just a passing trend—he was here to stay. With his sharp visual style and creative flair, Marc Webb became a standout talent admired by fans and peers alike. From music videos to blockbuster films, Marc Webb’s journey has been nothing short of remarkable.
When it comes to Marc Webb’s filmography, fans and critics alike often point to ’(500) Days of Summer’ (2009) as his standout success—widely regarded as Marc Webb’s highest rated movie. The romantic dramedy, which blends a nonlinear narrative with heartfelt performances, really put Marc Webb on the map as a director with a unique voice. On the other hand, over the years, The Only Living Boy in New York (2017) has consistently been seen as the lower point in Marc Webb’s career, earning mixed to negative reviews and marking what many consider Marc Webb’s lowest rated film to date. While opinions may vary, it’s clear that Marc Webb has had his highs and lows, with these two titles representing the peaks and valleys of his work in cinema.