Well, when it comes to María Elena Marqués, her most acclaimed work definitely seems to be The Pearl (1947), which stands out as her highest rated film. Interestingly enough—though it might sound a bit surprising—María Elena Marqués is also associated with the same title, The Pearl (1947), when looking at lower ratings, making it both her peak and her lowest ranked project in terms of critical reception. So, María Elena Marqués really has a unique connection to this particular movie, doesn’t she? It’s quite remarkable how one film can represent both the high and low points in María Elena Marqués’s career.