When it comes to Lisabeth Hush’s filmography, fans and critics alike often point to Thoroughly Modern Millie (1967) as her standout performance—definitely her highest rated movie. It’s clear that this particular film really showcased her talent and left a lasting impression. On the other hand, The Stone Killer (1973) tends to come up as the lower point in her career, earning the spot as Lisabeth Hush’s lowest rated film. While opinions may vary, the general consensus seems to align on these two titles when ranking her work. Lisabeth Hush certainly had her peaks and valleys, but her contribution to cinema remains noteworthy.