She was the successful producer behind beloved TV shows like Designing Women, Evening Shade, and Hearts Afire—programs that left a lasting mark on American television. Before she made her name in Hollywood, she spent time teaching English at Jordan High School in Los Angeles, where her passion for storytelling began to take shape. Along the way, she explored screenwriting and even earned an Emmy nomination for her work on a memorable episode of M*A*SH titled Hot Lips and Empty Arms, which she co-wrote with Mary Kay Place—a moment that truly highlighted her growing talent. In July 1983, she married Harry Thomason, a partnership that would go on to influence many of her future projects. Throughout her career, she proved time and again that creativity, dedication, and a sharp eye for narrative could lead to lasting success. And as one looks back at her journey, it’s clear that her contributions—both on-screen and behind the scenes—were shaped by a deep love for the craft. She wasn’t just involved in making television; she helped redefine it.
She didn’t quite hit the mark with Emeril, which was her project involving the famous chef Emeril Lagasse trying his hand at a sitcom. While she brought her usual energy to the table, Emeril ended up being less successful compared to her other ventures. It’s fair to say that Emeril had potential, but it just didn’t resonate the way she might have hoped. Still, she stayed committed throughout the process, even as Emeril faced challenges in finding its audience.