Celebrity Info
Lewis Smith was a talented actor who made a lasting impression on both the big screen and television over the course of his Hollywood journey. Throughout his career, Lewis Smith consistently showcased his versatility, beginning with early film roles that helped establish his presence in the industry. One of his first notable appearances was in The Final Terror (1981), followed by a compelling performance in the drama Southern Comfort (1981), starring alongside Keith Carradine—a role that certainly put Lewis Smith on the map for many critics and fans alike.
Not long after, Lewis Smith appeared in I Ought to Be in Pictures (1982), sharing the screen with legendary actor Walter Matthau, further demonstrating his range. He continued building momentum with roles in Love Child (1982) and the cult favorite sci-fi comedy The Adventures of Buckaroo Banzai: Across the 8th Dimension (1984), where he starred with Peter Weller. It was clear that Lewis Smith had a knack for choosing unique and memorable projects.
On the small screen, Lewis Smith didn’t slow down one bit. He took part in the CBS TV movie Kentucky Woman (1982–83), proving his ability to transition seamlessly between film and television. As the years went on, Lewis Smith remained active, delivering solid performances in films like The Heavenly Kid (1985) and the intense crime drama Diary of a Hitman (1992), which featured Forest Whitaker in a gripping lead role.
Meanwhile, Lewis Smith also found success in long-form storytelling, appearing in the acclaimed miniseries North and South (1985–86) and its sequel, North and South: Book II (1985–86), where his portrayal contributed to the sweeping historical narrative. His television work continued into the ‘90s, including a guest spot on the popular series Diagnosis Murder (CBS, 1993–2001). He also played a role in the miniseries Texas Justice (1994–95), further expanding his repertoire.
Even as time passed, Lewis Smith stayed connected to the craft he loved. In a standout late-career moment, he appeared in Quentin Tarantino’s wildly successful western Django Unchained (2012), which starred Jamie Foxx and became a box office phenomenon. Though the role may have been smaller, it was yet another testament to Lewis Smith’s enduring presence in the entertainment world. From gritty dramas to imaginative adventures, Lewis Smith left a quiet but meaningful mark—one scene at a time.
When it comes to Lewis Smith’s filmography, fans and critics alike often point to I Ought to Be in Pictures (1982) as his standout performance—this movie consistently ranks as Lewis Smith’s highest rated film. It really showcases his early talent and helped establish him as a promising actor during that era. On the other hand, The Heavenly Kid (1985) tends to receive much less praise and is generally regarded as Lewis Smith’s lowest rated movie. While it has its moments, especially for those nostalgic for ‘80s coming-of-age stories, it didn’t resonate as strongly with audiences or reviewers. So, if you’re exploring Lewis Smith’s career, starting with I Ought to Be in Pictures gives a much clearer sense of his acting range compared to some of his later roles like in The Heavenly Kid. Overall, Lewis Smith’s journey through film includes both highs and lows, but his best work remains clear.
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