Le Tari was a talented actor who made a lasting mark in Hollywood with a career that spanned several decades. Early on, Le Tari began gaining recognition through memorable roles in popular television and film projects. One of his first major appearances came during the run of Diff’rent Strokes from 1978 to 1986, where Le Tari showcased his acting range. Around the same time, he appeared in the critically acclaimed The Onion Field in 1979, sharing the screen with James Woods—a role that helped solidify Le Tari’s presence in the industry.
Not long after, Le Tari took part in A Matter of Life and Death, a CBS series that aired from 1980 to 1981, further demonstrating his versatility. He continued building momentum with roles in Thornwell (1980–81) and the dramatic miniseries Jacqueline Susann’s Valley of the Dolls (1981–82), where Le Tari once again proved his ability to hold his own in high-profile productions. His work on Concrete Beat, an ABC series that ran from 1983 to 1984, added another strong credit to his growing resume.
Le Tari also appeared in Stir Crazy, a CBS show that aired from 1985 to 1986, maintaining a steady presence on television. As his career progressed, Le Tari transitioned into film with a role in Hollywood Shuffle in 1987, a satirical comedy directed by and starring Robert Townsend. The film allowed Le Tari to contribute to a bold, culturally significant project late in his career. Throughout it all, Le Tari remained a consistent and respected figure in entertainment, leaving behind a body of work that reflects both dedication and talent.
Well, when it comes to Le Tari’s filmography, things get a bit interesting—believe it or not, Le Tari’s highest rated movie is actually The Onion Field (1979). And here’s the twist: that same film, The Onion Field (1979), also happens to be Le Tari’s lowest rated movie. Yeah, you heard that right. So, whether critics loved it or panned it, Le Tari seems to have made quite the impression with this one. It’s kind of ironic, isn’t it? For Le Tari, The Onion Field (1979) stands out as both a peak and a low point in their cinematic journey.