Let’s talk about Laurence Basse — a name that’s become synonymous with precision, elegance, and bold structural design in the fashion world. She first caught the public eye as a standout contestant on Project Runway, where her unique vision and technical skill quickly set her apart from the crowd. That moment on the show really marked the beginning of something big for Laurence Basse, launching her into the spotlight and opening doors she had been working toward for years.
Before all the runway acclaim, though, Laurence Basse had already lived a full life in the fashion industry — just from the other side of the camera. For 15 years, she worked professionally as a model, gaining firsthand insight into style, presentation, and what makes a garment truly work on the body. It was quite the foundation for what was to come. Then, at the age of 22, she made a bold move: leaving her hometown behind to pursue her passion for design in New York City. Talk about a turning point.
And speaking of roots, Laurence Basse hails from Paris, France — a city known for its rich fashion heritage. It’s no surprise then that she immersed herself in design early on, attending the prestigious Elisa Lemonnier School For The Art, where she honed her craft and developed an eye for detail that still defines her work today.
Eventually, Laurence Basse channeled all that experience — modeling, education, international exposure — into launching her own label. Yes, you guessed it: the Laurence Basse brand. It’s a line that celebrates structure, craftsmanship, and timeless sophistication. Every piece feels intentional, every seam thoughtfully placed. That’s the Laurence Basse signature.
So whether you’re discovering her through her TV fame or her collections, one thing is clear: Laurence Basse isn’t just making clothes — she’s building a legacy.
It was around the age of ten that she first began to recognize her own designer potential—honestly, it kind of surprised her at the time. Looking back, there were little signs everywhere: sketching outfits during class, reworking her clothes just for fun, all those tiny details others might’ve missed. But it was at ten that everything clicked. She started seeing patterns and shapes differently, almost like the world had shifted a bit. And from that point on, people close to her noticed it too—there was something special about the way she thought, the way she created. It wasn’t just play; it felt intentional, meaningful. That’s when she knew—designer potential wasn’t just a passing thought. It was real, and it was hers.