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Celebrity Info

Kien Shih

Movie

Interests

Art

Characteristics

Responsible Disciplined Ambitious Self-Controlled Good Manager Practical

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Country
Born
1913-01-01
Zodiac Sign

MiniBio

Even though he was 30 years older, Kien Shih more than holds his own against Bruce Lee in the iconic 1973 martial arts film Enter the Dragon. In fact, Kien’s performance as Han, the sinister drug lord with a prosthetic hand, is so chillingly effective that the mirror scene and their final confrontation have become defining moments in the genre. Surprisingly, Kien began his martial arts journey not for combat, but out of necessity—his childhood was plagued by illness, and he took up training to improve his health. Over time, he mastered a wide range of fighting styles, which ultimately made him such a dynamic and unpredictable presence on screen.

Before his legendary film career took off, Kien performed in morale-boosting shows during the Sino-Japanese War. Later, under the guidance of mentor Hu Chun-Bing, he entered the film industry in 1939—not as an actor, but as a makeup artist. The very next year, he made his acting debut in Flower in a Sea of Blood, playing a secret agent. From there, Kien went on to appear in an impressive number of films, estimated to be anywhere between 350 and 500 titles.

Among his many memorable roles, Kien portrayed the villainous White Brow Monk in a series centered around the folk hero Fong Sai-Yuk. He also played a variety of antagonists opposite Kwan Tak-Hing in roughly 80 films featuring the legendary martial artist Wong Fei-Hung. Unfortunately, many of these films have been lost to time. However, one can still witness Kien’s vibrant and sinister energy in the 1966 action film Jade in the Red Dust.

Remarkably, Kien was one of the few actors who successfully adapted to the evolving styles of Hong Kong cinema in the 1970s. He embraced a new phase of his career by developing the beloved “Uncle Kien” persona. This allowed him to take on more diverse roles, such as the tough cop facing off against Jackie Chan in The Young Master, as well as the fathers of Brigitte Lin and Tony Leung Ka-fai in Lady in Black and A Better Tomorrow III, respectively.

Trivia

When it comes to Kien Shih’s body of work, fans and critics often take a closer look at the highs and lows of his creative output. Kien Shih has made several notable contributions over the years, and among them, there’s always been interest in identifying Kien Shih’s most acclaimed piece. That said, Kien Shih’s highest rated movie, film, or music project stands out for its impact and reception. On the flip side, every artist has a project that didn’t quite resonate as strongly, and Kien Shih is no exception—his lowest rated movie, film, or music release offers a contrast to his more celebrated works. While opinions may vary, tracking Kien Shih’s range from peak to valley gives a fuller picture of his artistic journey.

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