So, when we take a look at Katherine Collins’s work, it’s interesting to note that her highest rated project—whether you’re talking about film, music, or any creative output—turns out to be Riot Girls (2019). And kind of surprisingly, if you dig a little deeper, that same title, Riot Girls (2019), also happens to be the lowest rated one in Katherine Collins’s portfolio. Yeah, it’s a bit of a paradox, right? But that’s how it stands for now. Katherine Collins definitely has a unique path, and Riot Girls seems to be a pivotal piece in her career—loved by some, not so much by others. Still, it’s clear that Katherine Collins is making waves, one way or another.