Julius Tennon has had a long and varied career in both television and film, with appearances in a number of notable projects over the decades. Early in his career, Julius Tennon was featured in the acclaimed miniseries Lonesome Dove (1988–89), which helped establish his presence in the entertainment industry. Prior to that, he appeared in several TV movies, including Adam: His Song Continues (1986–87), The Man Who Broke 1,000 Chains (HBO, 1987–88), and Trapped (USA, 1988–89), showcasing his versatility as an actor.
In addition to his television work, Julius Tennon took on roles in a number of films throughout the late 1980s and early 1990s. He appeared in the drama Riverbend (1989), starring alongside Steve James, and later in the film Hard Promises (1992). His role in the miniseries John Jakes’ Heaven and Hell: North and South, Part III (1993–94) further expanded his television credits. Around the same time, Julius Tennon worked on the crime film Shadow Force (1993), starring Dirk Benedict, and also appeared in the popular comedy Dazed and Confused (1993) with Jason London.
During this period, Julius Tennon continued to work steadily in television, landing a role on the long-running series NYPD Blue (1993–2005), which demonstrated his ability to hold his own in high-profile TV dramas. As the 2000s rolled in, Julius Tennon remained active in the industry, appearing in the sports drama Friday Night Lights (2004). He later appeared in the action film Faster (2010) and the drama Won’t Back Down (2012), starring Maggie Gyllenhaal.
Throughout these years, Julius Tennon also contributed to several television series, including recurring appearances on Criminal Minds (CBS, 2005–present) and a role in the crime drama Rizzoli & Isles (TNT, 2009–16). More recently, Julius Tennon acted in the intense drama Lila and Eve (2015), starring Viola Davis, further proving his enduring presence and adaptability in the world of film and television.
Julius Tennon is perhaps best known for producing The Woman King (2022), which stands out as his highest-rated film to date. On the other hand, Lila & Eve (2015) represents the lower end of his filmography in terms of critical reception. While Julius Tennon has been involved in a variety of projects over the years, these two films highlight the range of his work in the industry. It’s interesting to see how Julius Tennon’s contributions have varied in impact and reception, with The Woman King receiving widespread acclaim and Lila & Eve not resonating as strongly with audiences or critics.