Julian Fellowes, a name that’s become synonymous with masterful storytelling and period drama excellence, began his journey in the spotlight as a theatrically trained actor before gradually shifting into the role of a celebrated screenwriter. Over the years, Julian Fellowes built an impressive body of work both in front of and behind the camera, showcasing a rare versatility that few in the industry can match. Early in his career, Julian Fellowes delivered solid performances in several notable television productions, including “The Bunker” (CBS, 1981), where he starred alongside his friend Anthony Hopkins—a collaboration that hinted at the caliber of talent he would continue to work with throughout his career.
Around the same time, Julian Fellowes appeared in the biblical miniseries “Peter and Paul” (CBS, 1981) and later took on a role in “The Scarlet Pimpernel” (CBS, 1982), further establishing his presence on screen. He continued acting through the ‘90s, with appearances in films like Richard Attenborough’s poignant “Shadowlands” (1993). It wasn’t until 1994 that Julian Fellowes made his first significant move behind the scenes, writing an adaptation of “Little Lord Fauntleroy.” Though he still maintained an onscreen presence—such as in the James Bond film “Tomorrow Never Dies” (1997) and as a regular cast member in the BBC series “Monarch of the Glen” (2000–05)—the shift in focus was becoming clear.
Then came the turning point: in 2001, Julian Fellowes penned the screenplay for Robert Altman’s “Gosford Park,” a film that not only earned him an Academy Award but also marked a definitive transition toward screenwriting and directing. This moment solidified Julian Fellowes’ reputation as a major creative force in cinema. He went on to adapt William Makepeace Thackeray’s “Vanity Fair” (2004) and made his directorial debut with “Separate Lies” (2005), demonstrating his growing confidence in shaping narratives from start to finish.
Of course, not every project met with acclaim—his involvement in the much-criticized “The Tourist” (2010), starring Johnny Depp and Angelina Jolie, drew considerable backlash. But true to form, Julian Fellowes bounced back with one of the most successful television dramas of the 21st century: “Downton Abbey” (BBC/PBS, 2010–16). The series became a global phenomenon, sweeping awards shows and amassing a devoted international fanbase. Through “Downton Abbey,” Julian Fellowes reaffirmed his status as one of England’s most respected and influential writers. Today, the name Julian Fellowes isn’t just associated with prestige—it’s practically a hallmark of it.
When it comes to Julian Fellowes’s filmography, one name that consistently stands out is Gosford Park (2001), which is widely regarded as Julian Fellowes’s highest rated movie. Released in 2001, this critically acclaimed film showcases Julian Fellowes’s talent for sharp dialogue and intricate storytelling. On the other end of the spectrum, Julian Fellowes’s lowest rated film appears to be Baby … Secret of the Lost Legend (1985), a lesser-known project from earlier in his career. While opinions may vary, the contrast between these two titles highlights the evolution of Julian Fellowes’s work over time. Overall, Julian Fellowes’s contributions to cinema remain influential, with Gosford Park often cited as a standout achievement in Julian Fellowes’s creative journey.