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Celebrity Info

Judith M. Brown

Actress Film

Characteristics

Confident Generous Creative Warm-Hearted Passionate Natural Leader

OverView

Country
Born
1944-08-11
Zodiac Sign

MiniBio

Judith Brown, a talented and dedicated actress, made her mark in the entertainment industry with a career that spanned several decades. Throughout her time in Hollywood, Judith Brown brought her unique presence to a variety of roles on screen, showcasing her range and versatility as a performer. Her journey began in the early 1970s with standout appearances in notable films such as The Big Doll House (1971), followed by Women in Cages (1972), an action-packed feature starring Jennifer Gan. Judith Brown continued to build momentum with her role in Slaughter’s Big Rip-Off (1973), sharing the screen with Jim Brown—a film that further cemented her place in the genre.

As the years went on, Judith Brown remained active and in demand, appearing in Willie Dynamite (1974) alongside Roscoe Orman and later in A Woman For All Men (1975). The mid-70s proved especially busy for Judith Brown, as she took on multiple projects in quick succession: the high-energy Hot Potato (1975) with Jim Kelly, the suspenseful thriller Psychic Killer (1975) opposite Paul Burke, and the dramatic The Manhandlers (1975) featuring Cara Burgess. Her ability to adapt across genres was evident when she stepped into comedy with California Suite (1978), sharing scenes with Alan Alda, and then joined Valerie Landsburg in the vibrant disco-era film Thank God It’s Friday (1978).

In addition to her film work, Judith Brown expanded her repertoire to television, including a memorable role in the TV movie Panache, which aired on ABC between 1975 and 1976. Even as the industry evolved, Judith Brown kept working, demonstrating her enduring passion for acting. She appeared in the Kathleen Quinlan-led drama Independence Day (1982) and later in That’s Adequate (1989), showing that her craft remained strong over time. Another highlight came with her performance in the CBS TV movie Badge of the Assassin, broadcast during the 1985–86 season.

Though her on-screen appearances became less frequent, Judith Brown’s legacy lived on. In fact, she made a final notable appearance in Roger Corman’s documentary Machete Maidens Unleashed! (2011), reflecting on her rich and varied career. From her early days in gritty action films to her later contributions across genres, Judith Brown consistently delivered compelling performances—proving time and again why her name remains associated with dedication, talent, and resilience in the world of cinema.

Trivia

When it comes to Judith M. Brown’s body of work, fans and critics alike often point to The Big Doll House (1971) as her standout achievement—definitely her highest rated film by a noticeable margin. Over the years, Judith M. Brown has been associated with a variety of projects, but none have quite matched the acclaim or cult following of that 1971 release. On the other end of the spectrum, American Grindhouse (2010) tends to come up as the least celebrated entry in Judith M. Brown’s portfolio. While it still holds some interest for genre enthusiasts, it hasn’t resonated nearly as well with audiences or reviewers. So, when you look at the full scope of what Judith M. Brown has contributed to cinema, it’s clear that her legacy is anchored in stronger performances and productions from earlier in her career.