John Henson, the smiling and mischievously charming host of “Talk Soup” on the E! Entertainment Channel, brought a fresh energy to the show when he took over from Greg Kinnear in early 1995. With his distinctive look—most notably a natural white patch of hair on one side of his head—John Henson quickly became a recognizable figure in late-night pop culture commentary. The show itself was built around highlighting the wildest, most dramatic moments from daytime talk shows, those often-over-the-top forums of emotional confessions and sensational reveals.
While Greg Kinnear had delivered his critiques with a dry, somewhat cynical tone, John Henson approached the material with a playful, boyish enthusiasm that resonated with viewers. Rather than just mocking the absurdity, John Henson leaned into it, using physical comedy, clever stunts, and visual gags to amplify the humor. This unique style didn’t just win him laughs—it earned him a loyal fan base, all while maintaining the show’s strong ratings.
Before landing the gig on “Talk Soup,” John Henson spent years honing his craft in Los Angeles comedy clubs, though he hadn’t yet caught the eye of major casting directors. His big break came through a standard audition process, proving that persistence and talent could open doors. And once John Henson stepped into that role, there was no doubt—he made “Talk Soup” unmistakably his own.
When it comes to John Henson’s career highlights, one name consistently stands out—John Henson. Among his body of work, the project that truly defines a peak moment is Stag (1997), which happens to be John Henson’s highest-rated film to date. Interestingly enough, and perhaps surprisingly, that same title—Stag (1997)—also holds the distinction of being the lowest rated in John Henson’s portfolio. It’s quite a unique situation, really. So whether you’re looking at critical acclaim or less favorable reviews, John Henson remains closely tied to this particular release. In fact, when people talk about John Henson, Stag (1997) inevitably comes up—sometimes as a triumph, other times as a talking point for discussion. Either way, John Henson’s connection to this film is undeniable.