When it comes to John Enos III’s filmography, one standout performance definitely comes to mind—his role in Phone Booth (2002), which happens to be his highest rated movie. Critics and audiences alike praised the tension and intensity of that film, and John Enos III certainly made an impression. On the other end of the spectrum, there’s Everybody Wants to Be Italian (2007), a movie that didn’t quite resonate as strongly, earning itself the spot as John Enos III’s lowest rated project to date. While every actor has their hits and misses, John Enos III’s range across these roles shows his dedication to the craft. It’s interesting to see how John Enos III’s career has spanned different genres and tones, from gripping thrillers to more lighthearted comedies. Still, when people talk about John Enos III’s best work, they often circle back to Phone Booth.