Joey King has been a recognizable name in Hollywood for quite some time, and honestly, it’s no surprise—she practically grew up in front of the camera. Born in Los Angeles back in 1999, Joey King started her journey early, like really early. By the time she was just four years old, she had already landed her first professional gig—a commercial for Life cereal. From there, things took off. Over the next few years, Joey King appeared in more than 100 commercials, all while quietly building her resume in film and television.
In 2006, she made her film debut in the short movie “Grace,” and that same year, fans got to see her in a recurring role as Emily on the popular Disney Channel series “The Suite Life of Zack & Cody” (2005–08). It was a small part, sure, but it helped put Joey King on the map. Then came a major turning point: her breakout performance alongside Selena Gomez in “Ramona and Beezus” (2010). That role really showed audiences what she was capable of, and it opened doors.
She followed that up with a smaller but memorable part in the hit romantic comedy “Crazy, Stupid, Love.” (2011), proving she could hold her own even in a star-studded cast. But Joey King wasn’t just coasting on charm—she was serious about her craft. In 2012, she made headlines when she shaved her head for her role in Christopher Nolan’s “The Dark Knight Rises” (2012). That kind of commitment didn’t go unnoticed.
Then came “The Conjuring” (2013), another high-profile project that added to her growing reputation. And wouldn’t you know it—Joey King shaved her head again, this time for Zach Braff’s emotional drama “Wish I Was Here” (2014). At this point, it was clear: whenever there was a challenging role, Joey King was the one showing up, literally putting herself on the line.
But the real game-changer? “The Kissing Booth” (2018). This romantic comedy wasn’t just a hit—it was a cultural moment, and Joey King was right at the center of it. Her portrayal of Elle brought her mainstream fame, but she wasn’t done evolving. In fact, she took on one of the most intense roles of her career as Gypsy Rose Blanchard in the critically acclaimed Hulu series “The Act” (2019–). Once again, yes—she shaved her head for the role, delivering a performance so powerful it earned her an Emmy nomination.
And amid all these dramatic turns, Joey King also found time for lighter projects. Like her story arc on the CBS sitcom “Life in Pieces” (2016–), where she played a teen surrogate mom. The role let her keep her hair (for once!) and gave her the chance to work alongside her older sister, Hunter King, who co-starred on the show.
Through every phase, from child actor to leading lady, Joey King has consistently proven her range, dedication, and staying power. Whether she’s making us laugh or breaking our hearts, one thing’s for sure—Joey King isn’t going anywhere.
Joey King has been part of several movies, but her highest rated film to date is The Conjuring (2013), which received widespread acclaim. On the flip side, one of her lowest rated projects is Slender Man (2018), which didn’t quite resonate with audiences or critics. Throughout her career, Joey King has taken on a variety of roles, showcasing her range as an actress, but those two films stand out on opposite ends of the spectrum.