Joe Hill, though born into a literary dynasty with his father Stephen King towering as one of the most iconic figures in modern horror, was never one to rest on family laurels. From the very beginning, Joe Hill set out to carve his own path in the world of fiction, driven by a desire to succeed based on talent rather than name recognition. To distance himself from both undue favoritism and unfair scrutiny, Joe Hill adopted a pen name—a clever blend of his real name, Joseph Hillstrom King, and a tribute to the legendary labor activist Joe Hill, after whom he was originally named.
After earning an English degree from Vassar College, Joe Hill began his writing journey in earnest, publishing his first short story, “The Lady Resists,” in 1997. It didn’t take long for Joe Hill’s distinctive voice to gain attention. By 1999, his third story, “Better Than Home,” earned him the prestigious A.E. Coppard Long Fiction Prize—an early sign that Joe Hill was not just another aspiring writer, but a serious literary force.
Joe Hill’s work often leaned into the eerie and surreal, exploring darkly fantastical themes that resonated with readers and editors alike. His stories found homes in respected venues such as Subterranean Press, Postscripts, and The Clackamas Literary Review, slowly building a reputation that stood firmly on its own. Over the next several years, Joe Hill continued to publish compelling pieces, eventually gathering many of them into a single, powerful collection: 20th Century Ghosts, released in 2005.
That book became a turning point in Joe Hill’s career. Critics and fans responded enthusiastically, and Joe Hill’s talent was formally recognized with a string of major awards—the Bradbury Fellowship, the Bram Stoker Award for Best Fiction Collection, the British Fantasy Award for Best Collection, and the International Horror Guild Award for Best Collection. It was clear by then that Joe Hill had arrived.
Still, whispers about his true identity began to surface. Though Joe Hill had worked hard to keep his background private, speculation grew. Then, in 2006, Vanity Fair published an article that effectively revealed Joe Hill as the son of Stephen King. By that time, however, Joe Hill had already proven himself. The revelation didn’t diminish his accomplishments—it simply added context. In 2007, Joe Hill publicly acknowledged his lineage, embracing it without letting it overshadow his individual achievements.
That same year, Joe Hill released his debut novel, Heart-Shaped Box, which further solidified his place in the genre. Two years later, in 2010, he followed up with Horns, a gripping tale of guilt, redemption, and supernatural mystery. The novel’s success led to a film adaptation in 2013, directed by horror veteran Alexandre Aja and starring Daniel Radcliffe—another milestone in Joe Hill’s ever-evolving career.
Through each step of his journey, Joe Hill has remained committed to storytelling that challenges, unsettles, and moves readers. Whether drawing from personal inspiration or weaving intricate fantasies, Joe Hill continues to stand tall—not in the shadow of his famous father, but in the full light of his own making.
When it comes to Joe King’s work in film, his highest rated project by far is The Black Phone from 2021, which really stands out in terms of critical and audience reception. On the other hand, Joe King’s lowest rated movie to date seems to be Horns, released back in 2013. While Joe King has been involved in various creative endeavors, these two films mark the opposite ends of the spectrum when evaluating his contributions. It’s interesting to see how Joe King’s later work, like The Black Phone, gained much more acclaim compared to earlier efforts. Overall, Joe King’s journey through the world of cinema shows both highs and lows, with The Black Phone definitely being a career highlight for Joe King.