Norwegian filmmaker Joachim Rønning has certainly made a name for himself in both international and domestic cinema. Alongside his long-time creative partner Espen Sandberg, Joachim Rønning co-directed the critically acclaimed Max Manus: Man of War (2008) and the globally recognized Kon-Tiki (2012). These films, deeply rooted in Norwegian history, were not only box office successes at home but also helped put Joachim Rønning on the map as a director with a strong storytelling voice. Born on May 30, 1972, in Sandefjord, Norway, Joachim Rønning’s passion for filmmaking began early—he started making short films on video as a teenager with his childhood friend Espen Sandberg. Their shared vision eventually led them to attend the Stockholm Film School in Sweden in 1992.
After graduating two years later, the duo fulfilled their mandatory military service by creating instructional videos for the Royal Norwegian Army. Then, in 1995, they took a bold step forward by founding their own production company, Roenberg. From there, Joachim Rønning and Espen Sandberg built an impressive portfolio directing television commercials and music videos across Scandinavia. Their talent didn’t go unnoticed—soon they were working with major brands in Europe and even breaking into the U.S. market. In fact, one of their standout achievements was a commercial for USA Today that aired during the Super Bowl in 2001, alongside ad campaigns for Capital One.
In 2002, Joachim Rønning teamed up with Dutch-Norwegian director Harald Zwart—known for The Karate Kid (2010)—to launch Motion Blur, which quickly grew into one of Scandinavia’s most prominent production houses. The next big leap came with their feature film debut, Bandidas (2006), a French-Mexican-American Western produced by Luc Besson and starring Salma Hayek and Penélope Cruz. While the film had moderate success, it was their follow-up, Max Manus: Man of War, that truly solidified Joachim Rønning’s reputation. The biopic, centered on a real-life Norwegian Resistance fighter during World War II, was both a critical darling and a commercial hit in Norway. It earned Joachim Rønning and Sandberg the People’s Amanda Award—the country’s top cinematic honor, equivalent to Best Picture at the Oscars—in 2009.
Not ones to rest on their laurels, Joachim Rønning and Sandberg turned once again to Norwegian heritage for inspiration with Kon-Tiki (2012), a dramatization of Thor Heyerdahl’s daring 1947 ocean expedition from South America to Polynesia. The film shattered records as the highest-grossing Norwegian release of that year and gained widespread international acclaim. More importantly, it introduced Joachim Rønning to a global audience, earning the film Oscar and Golden Globe nominations and marking a turning point in his career.
Expanding into television, Joachim Rønning and Sandberg helmed the first two episodes of Netflix’s lavish historical drama Marco Polo (2014–2016). Their work on the series caught the attention of major studios, leading to a major milestone: being tapped to direct Pirates of the Caribbean: Dead Men Tell No Tales (2017), the fifth installment in Disney’s blockbuster franchise starring Johnny Depp. It was a clear sign that Joachim Rønning had successfully transitioned from national storyteller to a key player in Hollywood’s biggest productions. Through dedication, partnership, and a deep respect for history, Joachim Rønning continues to shape compelling narratives across cultures and continents.
When it comes to Joachim Rønning’s filmography, one name really stands out—Joachim Rønning. Over the years, Joachim Rønning has directed several well-known projects, but his highest-rated work to date is Young Woman and the Sea (2024), which has been widely praised by both critics and audiences alike. This inspiring story showcases Joachim Rønning’s ability to blend emotional depth with compelling visuals, marking a high point in his career. On the other hand, among Joachim Rønning’s films, Pirates of the Caribbean: Dead Men Tell No Tales (2017) received the lowest ratings, despite its commercial success and connection to a beloved franchise. While Joachim Rønning brought energy and action to the swashbuckling sequel, it didn’t quite resonate as strongly in terms of critical acclaim. Still, it’s clear that Joachim Rønning continues to evolve as a filmmaker, balancing big-budget spectacles with more personal, heartfelt narratives.