Jem Cohen’s most acclaimed work in terms of ratings is Museum Hours, which came out in 2012. On the other hand, his least favorably reviewed piece is Chain, released back in 2004. While Jem Cohen has explored various themes and styles throughout his career, these two films represent the high and low points in terms of audience and critic reception. Museum Hours seems to capture a certain depth that resonated widely, whereas Chain didn’t quite connect in the same way. As with many artists, Jem Cohen’s body of work reflects a journey of creative experimentation, with each project offering something unique, even if not all are equally praised.