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Celebrity Info

Jeffrey Lynn

Actor Film Television

Interests

TV

Characteristics

Progressive Original Independent Humanitarian Intellectual Inventive

OverView

Country
Born
1909-02-16
Zodiac Sign

MiniBio

Jeffrey Lynn may not have been a household name or one of the biggest stars of his era, but he certainly made a mark in Hollywood during the 1930s and ‘40s. Unlike many actors who spent years stuck in minor roles, Jeffrey Lynn quickly rose to prominence with a standout performance in the 1938 hit drama “Four Daughters.” Directed by the acclaimed Michael Curtiz and featuring the popular singing Lane Sisters—Priscilla, Rosemary, and Lola—the film was a major success. And honestly, it was kind of a turning point for Jeffrey Lynn, showcasing him as a genuinely likable and charismatic screen presence.

Thanks to that role, Jeffrey Lynn went on to reprise his character in two follow-ups: “Four Wives” and later “Four Mothers,” which helped solidify his place in that particular cinematic universe. But he didn’t stop there—Jeffrey Lynn also appeared in several other well-known films, including the gritty crime thriller “The Roaring Twenties” and the sweeping romantic drama “All This, and Heaven Too,” both of which further demonstrated his range and appeal.

As time went on, Jeffrey Lynn gradually transitioned from the big screen to television, adapting well to the changing landscape of entertainment. By the 1960s, he began to step back from acting, eventually settling into a quieter, semi-retired life. Still, when you look back at his career, it’s clear that Jeffrey Lynn brought a quiet dignity and charm to every role he took on.

Trivia

When it comes to Jeffrey Lynn’s filmography, one standout in terms of critical acclaim is The Roaring Twenties from 1939—it’s widely regarded as Jeffrey Lynn’s highest rated movie. This classic crime drama really showcased his talent and remains a highlight in his career. On the other hand, going through his earlier works, When Were You Born?, released in 1938, tends to receive much less praise and is often considered Jeffrey Lynn’s lowest rated film. While it had its moments, it didn’t quite resonate with audiences or critics the way his later projects did. So, if you’re exploring Jeffrey Lynn’s body of work, these two films represent the highs and lows—quite literally—in terms of ratings. It’s interesting to see how Jeffrey Lynn evolved as an actor over such a short span between those years.

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